Trousson, Raymond / Vercruysse, Jeroom (dir.), Dictionnaire general de Voltaire. (Champion classiques, references et dictionnaires 18) 1272 p. 2020:10 (Champion, FR) <670-9>
ISBN 978-2-38096-016-7 paper ¥7,064.- (税込) EUR 38.00

Pfoh, Emanuel (ed.), T&T Clark Handbook of Anthropology and the Hebrew Bible. 584 pp. 2023:1 (Bloomsbury T&T Clark, UK) * paper 2025 <684-199>
ISBN 978-0-567-70473-3 hard ¥37,037.- (税込) GB￡ 130.00 *
ISBN 978-0-567-70953-0 paper ¥12,247.- (税込) GB￡ 42.99 *

This handbook presents an overview of the main approaches from social and cultural anthropology to the Hebrew Bible. Since the late 19th century, biblical scholarship has addressed issues and themes related to biblical stories from a perspective which could now be considered socio-anthropological. It is however only since the 1960s that biblical scholars have started to produce readings and incorporate analytical models drawn directly from social anthropology to widen the interpretive scope of the social and historical data contained in the biblical sources. The handbook is arranged into two main thematic parts. Part 1 assesses the place of the Bible in social anthropology, examines the contribution of ethnoarchaeology to the recovery of the social world of Iron Age Palestine and offers insights from the anthropology of the Mediterranean for the interpretation of the biblical stories.Part 2 provides a series of case studies on anthropological themes arising in the Hebrew Bible. These include kinship and social organisation, death, cultural and collective memory, and ritualism. Contributors also examine how the biblical stories reveal dynamics of power and authority, gender, and honour and shame, and how socio-anthropological approaches can reveal these narratives and deepen our knowledge of the human societies and cultural context of the texts. Bringing together the expertise of scholars of the Hebrew Bible and Biblical Archaeology, this ethnographic introduction prompts new questions into our understanding of anthropology and the Bible.

Skalnik, Petr (ed.), Ernest Gellner's Legacy and Social Theory Today. 594 pp. 2022:9 (Palgrave Macmillan, UK) <684-1312>
ISBN 978-3-031-06804-1 hard ¥12,943.- (税込) EUR 54.99

This edited volume examines the critical issues of the 21st century through the prism of Ernest Gellner's work. The contributors look critically at Gellner?s legacy, questioning whether he remains an inspiration for today's social theorists. Chapters proactively probe Gellner's thoughts on a variety of pressing topics-modernity, postcolonialsm, nationalism, and more-without losing sight of current debates on these issues. This volume further brings these debates to life by having each chapter followed by a comment by an academic peer of the chapter author, thus transforming the text into a lively and dynamic conversation.

Lindahl, Carl / Foster, Michael Dylan et al. (eds.), We Are All Survivors: Verbal, Ritual, and Material Ways of Narrating Disaster and Recovery. 186 pp. 2022:10 (Indiana U. Pr., US) <684-1424>
ISBN 978-0-253-06375-5 hard ¥12,936.- (税込) US$ 60.00 *
ISBN 978-0-253-06376-2 paper ¥5,390.- (税込) US$ 25.00 *

What is the role of folklore in the discussion of catastrophe and trauma? How do disaster survivors use language, ritual, and the material world to articulate their experiences? What insights and tools can the field of folkloristics offer survivors for navigating and narrating disaster and its aftermath? Can folklorists contribute to broader understandings of empathy and the roles of listening in ethnographic work?We Are All Survivors is a collection of essays exploring the role of folklore in the wake of disaster. Contributors include scholars from the United States and Japan who have long worked with disaster-stricken communities or are disaster survivors themselves; individual chapters address Hurricane Katrina, Hurricane Maria, and two earthquakes in Japan, including the earthquake, tsunami, and nuclear disaster of 2011. Adapted from a 2017 special issue of Fabula (from the International Society for Folk Narrative Research), the book includes a revised introduction, an additional chapter with original illustrations, and a new conclusion considering how folklorists are documenting the COVID-19 pandemic.We Are All Survivors bears witness to survivors' expressions of remembrance, grieving, and healing.

Robben, Antonius C. G. M. / Hinton, Alexander Laban, Perpetrators: Encountering Humanity's Dark Side. (Stanford Studies in Human Rights) 224 pp. 2023:1 (Stanford U. Pr., US) <684-1426>
ISBN 978-1-5036-3067-3 hard ¥18,326.- (税込) US$ 85.00 *
ISBN 978-1-5036-3427-5 paper ¥6,036.- (税込) US$ 28.00 *

Perpetrators of mass violence are commonly regarded as evil. Their violent nature is believed to make them commit heinous crimes as members of state agencies, insurgencies, terrorist organizations, or racist and supremacist groups. Upon close examination, however, perpetrators are contradictory human beings who often lead unsettlingly ordinary and uneventful lives. Drawing on decades of on-the-ground research with perpetrators of genocide, mass violence, and enforced disappearances in Cambodia and Argentina, Antonius Robben and Alex Hinton explore how researchers go about not just interviewing and writing about perpetrators, but also processing their own emotions and considering how the personal and interpersonal impact of this sort of research informs the texts that emerge from them. Through interlinked ethnographic essays, methodological and theoretical reflections, and dialogues between the two authors, this thought-provoking book conveys practical wisdom for the benefit of other researchers who face ruthless perpetrators and experience turbulent emotions when listening to perpetrators and their victims. Perpetrators rarely regard themselves as such, and fieldwork with perpetrators makes for situations freighted with emotion. Research with perpetrators is a difficult but important part of understanding the causes of and creating solutions to mass violence, and Robben and Hinton use their expertise to provide insightful lessons on the epistemological, ethical, and emotional challenges of ethnographic fieldwork in the wake of atrocity.

Drake, Tuki, Mata Austronesia: Stories from an Ocean World. 277 pp. 2022:9 (U. Hawai'i Pr., US) <684-1071>
ISBN 978-0-8248-8456-7 paper ¥4,094.- (税込) US$ 18.99 *

Mata Austronesia is a collection of illustrated stories told by Austronesians past and present-an (ethno)graphic novel. Mata, the word for "eye" in numerous Austronesian languages, represents the common origin of the many distinctive Austronesian peoples spread throughout their vast oceanic realm. The tales in this book immerse us in the beauty of this shared heritage, ancestral memory, and cultural legacy.Millennia before the first Europeans ventured into the Pacific, Austronesian explorers sailing aboard their outrigger and double-hulled voyaging canoes had already found, settled, and succeeded in thriving on thousands of islands of the Pacific and Indian Oceans. From Madagascar to Rapa Nui, Austronesia is a diverse, complex, and extensive ethnolinguistic region stretching across more than half of the Earth's saltwater expanse.This work showcases the abundance of unique identities, histories, ethnicities, cultures, languages, and storytelling traditions among people of Austronesian descent. Modern-day storytellers weave the past and present into a tapestry of tales passed down orally through generations and contextualize the staggering immensity of the cosmos, imparting meaning to visible and invisible realms. Formed over thousands of years, the wisdom of Indigenous Austronesians teaches us vital and contemporarily applicable lessons on living in harmony with each other and our planet.Mata Austronesia opens fresh avenues of connection and conversation between Austronesian peoples who live on their native islands and in diaspora, who are both unified and long-separated by oceans of time, space, and Western colonial and cartographic impositions. It includes stories from Ka Pae 'Aina o Hawai'i, Rapa Nui, Tahiti, Taha'a, Kanaky (New Caledonia), Guahan (Guam), Aotearoa (New Zealand), Viti (Fiji), Bali, Sulawesi (Celebes), Bohol (Visayas), Tutuila (American Samoa), Kiritimati (Christmas Island), Banaba (Ocean Island), and Madagasikara (Madagascar). With each hand-painted watercolor brushstroke, Tuki Drake invites friends and family of all heritages to fall in love with our shared ocean world.