Trousson, Raymond / Vercruysse, Jeroom (dir.), Dictionnaire general de Voltaire. (Champion classiques, references et dictionnaires 18) 1272 p. 2020:10 (Champion, FR) <670-9>
ISBN 978-2-38096-016-7 paper ¥7,064.- (税込) EUR 38.00

Greene, Douglas, The New Reformism and the Revival of Karl Kautsky: The Renegade's Revenge. (Marx and Marxisms) 248 pp. 2024:6 (Routledge, UK) <719-93>
ISBN 978-1-032-75878-7 hard ¥38,461.- (税込) GB￡ 135.00 *

This text offers an authoritative historiography of German socialist theorist Karl Kautsky and his impact on debates about the Russian Revolution and the contemporary left. Known as the "Pope of Marxism," Douglas Greene examines the totality of Kautsky's political career and dissects the fundamental opportunism and passive radicalism that defined his Marxism. He later examines the most substantive Marxist critics of Kautsky, namely Rosa Luxemburg, V. I. Lenin, and Leon Trotsky, while offering a critical assessment of the work produced by scholars and activists, Lars Lih, Eric Blanc, and Mike Mcnair, seeking to revive Kautsky. The New Reformism and the Revival of Karl Kautsky is an important addition to scholarship on the subject and a valuable resource for those interested in the Russian Revolution, German politics, socialism, Marxism, and contemporary left-wing debates.

Pyun, Kyunghee / Quan, Vincent G. (eds.), Teaching Labor History in Art and Design: Capitalism and the Creative Industries. (Routledge Studies in Education, Neoliberalism, and Marxism) 256 pp. 2024:6 (Routledge, UK) <719-1310>
ISBN 978-1-03-237204-4 hard ¥37,037.- (税込) GB￡ 130.00 *

Drawing from American history, fashion design, history of luxury, visual culture, museum studies, and women's history, among others, this book explores the challenges, rewards and benefits of teaching business and the labor history of art and design professions to those in higher education.Recognizing that artists and designers are no longer just creatives, but bosses, employees, members of professional associations, and citizens of nations that encourage and restrain their creative work in various ways, the book identifies a crucial need for art and design students to be taught the intricacies of these other roles, as well as how to navigate or challenge them. This empirically driven study features case studies in various pedagogical contexts, including museum exhibitions, group projects, lesson plans, discussion topics, and long-term assignments. The chapters also explore how the roles of designing and making became separated, how new technologies and the rise of mass production affected creative careers, the shifts back and forth between direct employment and freelancing, and the evolution of government interventions in creative fields.With a diverse and experienced range of contributors, and providing a unique set of conceptual tools to interpret, cope with, and react to the ever-changing conditions of capitalism, this volume will appeal to educators and researchers across education, history, art history, and sociology, with interests in experiential learning, capitalism, equity, social justice and neoliberalism.

Browne, Randy M., The Driver's Story: Labor and Power in the World of Atlantic Slavery. (Early American Studies) 224 pp. 2024:5 (U. Pennsylvania Pr., US) <719-1397>
ISBN 978-1-5128-2586-2 hard ¥8,613.- (税込) US$ 39.95 *

The story of the driver is the story of Atlantic slavery. Starting in the seventeenth-century Caribbean, enslavers developed the driving system to solve their fundamental problem: how to extract labor from captive workers who had every reason to resist. In this system, enslaved Black drivers were tasked with supervising and punishing other enslaved laborers. In The Driver's Story, Randy M. Browne illuminates the predicament and harrowing struggles of these men-and sometimes women-at the heart of the plantation world. What, Browne asks, did it mean to be trapped between the insatiable labor demands of white plantation authorities and the constant resistance of one's fellow enslaved laborers? In this insightful and unsettling account of slavery and racial capitalism, Browne shows that on plantations across the Americas, drivers were at the center of enslaved people's working lives, social relationships, and struggles against slavery. Drivers enforced labor discipline and confronted the resistance of their fellow enslaved laborers, aiming to maintain a position that helped them survive in a world where enslaved people were treated as disposable. Drivers also protected the people they supervised, negotiating workloads and customary rights to essentials like food and rest with white authorities. Within the slave community, drivers helped other enslaved people create a sense of belonging, as husbands and fathers, as Big Men, and as leaders of diasporic African "nations." Sometimes, drivers even organized rebellions, sabotaging the very system they were appointed to support. Compelling and original, The Driver's Story enriches our understanding of the never-ending war between enslavers and enslaved laborers by focusing on its front line. It also brings us face-to-face with the horror of capitalist labor exploitation.

労働者階級と反奴隷制　1790～1860年
Griffin, Sean, The Root and the Branch: Working-Class Reform and Antislavery, 1790-1860. (America in the Nineteenth Century) 304 pp. 2024:6 (U. Pennsylvania Pr., US) <719-1179>
ISBN 978-1-5128-2592-3 hard ¥10,769.- (税込) US$ 49.95 *

The Root and the Branch examines the relationship between the early labor movement and the crusade to abolish slavery between the early national period and the Civil War. Tracing the parallel rise of antislavery movements with working-class demands for economic equality, access to the soil, and the right to the fruits of labor, Sean Griffin shows how labor reformers and radicals contributed to the antislavery project, from the development of free labor ideology to the Republican Party's adoption of working-class land reform in the Homestead Act. By pioneering an antislavery politics based on an appeal to the self-interest of ordinary voters and promoting a radical vision of "free soil" and "free labor" that challenged liberal understandings of property rights and freedom of contract, labor reformers helped to birth a mass politics of antislavery that hastened the conflict with the Slave Power, while pointing the way toward future struggles over the meaning of free labor in the post-Emancipation United States. Bridging the gap between the histories of abolitionism, capitalism and slavery, and the origins of the Civil War, The Root and the Branch recovers a long-overlooked story of cooperation and coalition-building between labor reformers and abolitionists and unearths new evidence about the contributions of artisan reformers, transatlantic radicals, free Black activists, and ordinary working men and women to the development of antislavery politics. Based on painstaking archival research, The Root and the Branch addresses timely questions surrounding the relationships between slavery, antislavery, race, labor, and capitalism in the early United States.