Pedro de Alvarado is best known as the right-hand man of Hernando Cortes in the conquest of Mexico (1519-21) and the ruthless conqueror of Guatemala some years later. Far less known is his intent to intrude in the conquest of Peru and lay claim to Quito, a wealthy domain in the far north of the Inca Empire. To this end, Alvarado constructed a massive fleet, which sailed south from Central America to what is now Ecuador, making landfall on 25 February 1534.

Engaging both the European and Indigenous contexts in which Alvarado operated, George Lovell illuminates this gap in the record, narrating a dramatic story of greed and hubris. Upon reaching Ecuador, Alvarado's formidable entourage - some five hundred Spanish combatants and two thousand Indigenous conscripts - marched from the Pacific coast to the Andean sierra. Though Quito was his intended destination, he never made it. During a treacherous transit across the mountains, Alvarado's party was engulfed by heavy snowfall and numbing cold, which proved the expedition's undoing. Those who survived the ordeal discovered that other Spaniards - Diego de Almagro and Sebastian de BeLalcazar, acting in allegiance with Francisco Pizarro - had reached Quito before them, thereby claiming first right of conquest. Believing he had no option, if strife between rival sides was to be avoided, Alvarado sold his costly machinery of war - men, horses, weaponry, and ships - to those who had beaten him to the prize. All but ruined, he returned humiliated to Central America.

Death in the Snow brings to light the delusions of one headstrong conquistador and mourns the loss of untold Indigenous lives, casualties of Alvarado's lust for fame and fortune.

This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people.

At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.

A Cooperative Disagreement demonstrates how Canada and the United States successfully kept divergent policies on revolutionary Cuba from damaging their bilateral relationship. Covering the period from 1959 to the end of the Cold War, John Dirks investigates the efforts of Canadian and US diplomats and bureaucrats to cooperate despite their respective approaches toward Cuba. This book draws on archival documents from both countries to reveal how these two North American powers continued to adhere to the hard policy boundaries set by their own governments while establishing a mutually beneficial relationship on issues of intelligence, travel, and other areas of engagement with Cuba.

In light of an unprecedented constitutional acknowledgement of diverse epistemologies and stipulation making the protection and advancement of so-called 'ancestral knowledges' a duty of the state, this research provides an analysis of the uptake of historically subalternised knowledges by the state during the government of Rafael Correa (2007-2017), as well as of the strive for epistemic justice by peoples and nationalities' organisations in the context of struggles for social change, decolonisation, and self-determination. On the basis of rich empirical material, the analysis traces state discourses and practices and mechanisms to govern 'ancestral knowledges' in the framework of the government's Knowledge Society project and delineates how leaders of peoples and nationalities' organisations struggle for the decolonisation of knowledge. This monograph will be of interest to those concerned with relations between peoples and nationalities and Latin American states, politics of recognition and collective rights, the workings of purportedly post-neoliberal governments and the possibilities and limits for alternatives to development, the struggle of peoples and nationalities' organisations for (epistemic) decolonisation, as well as ongoing (re-)conceptualisations of cosmopolitanisms against restructurations of the coloniality of knowledge and being.

America's Arab Nationalists focuses in on the relationship between Arab nationalists and Americans in the struggle for independence in an era when idealistic Americans could see the Arab nationalist struggle as an expression of their own values. In the first three decades of the twentieth century (from the 1908 Ottoman revolution to the rise of Hitler), important and influential Americans, including members of the small Arab-American community, intellectually, politically and financially participated in the construction of Arab nationalism. This book tells the story of a diverse group of people whose contributions are largely unknown to the American public.

The role Americans played in the development of Arab nationalism has been largely unexplored by historians, making this an important and original contribution to scholarship. This volume is of great interest to students and academics in the field, though the narrative style is accessible to anoyone interested in Arab nationalism, the conflict between Zionists and Palestinians, and the United States' relationship with the Arab world.

This book applies the general theory of critical rationalism in order to develop a new sociology of the open society, in general, and a new analysis of the transition from a closed society to an open society in particular. It presents a criticism of Karl Popper's analysis of human action for opening up a closed society, followed by a critical study of the mainstream sociology to show how justificational models of knowledge and rational action have prevented sociology from addressing the contribution of human action to social change.

This book provides new sociologies of closed and open societies. It argues that in the closed society "a low level" of critical rationality is activated by people to define the meaning of the good life and social institutions of law, polity and economy. Masoud Mohammadi Alamuti proposes five mechanisms of opening up closed society through the model of social change, inspired by the philosophy of critical rationalism.

This volume is "the first systematic attempt" to apply the philosophy of critical rationalism in order to present a "normative sociology of the open society". It will be of interest to postgraduate researchers and professional readers in philosophy, sociology, moral science, law, politics and economics. In addition, this book would benefit research centres, policymakers and civil society activists interested in the ideas of critical rationalism and the open society.

It is a little-known fact that the first cultural agreement Canada signed was with Brazil in 1944. The two countries' rapprochement launched a flurry of activity connecting Montreal to Rio de Janeiro amid the turbulence of war and its aftermath. Why Brazil? And what could songs and paintings achieve that traditional diplomacy could not?

Distant Stage examines the neglected histories of Canada-Brazil relations and the role played by culture in Canada's pursuit of an international identity. The efforts of French-Canadian artists, intellectuals, and diplomats are at the heart of both. Eric Fillion demonstrates how music and the visual arts gave state and non-state actors new connections to the idea of nation, which in turn informed their sense of place in the world. Tracing the origins of Canadian cultural diplomacy to South America, the book underscores the significance of race and religion in the country's international history, showing how Brazil served as a distant stage where Canadian identity politics and aspirations could play out.

Both a timely invitation to think about cultural diplomacy as a critical practice and a reflection on the interplay between internationalism and nationalism, Distant Stage draws attention to the ambiguous yet essential roles played by artists in international and intercultural relations.

The "Middle East" has long been an indispensable and ubiquitous term in discussing world affairs, yet its history remains curiously underexplored. Few question the origin of the term or the boundaries of the region, commonly understood to have emerged in the twentieth century after World War I.

Guillemette Crouzet offers a new account in Inventing the Middle East. The book traces the idea of the Middle East to a century-long British imperial zenith in the Indian subcontinent and its violent overspill into the Persian Gulf and its hinterlands. Encroachment into the Gulf region began under the expansionist East India Company. It was catalyzed by Napoleon's invasion of Egypt and heightened by gunboat attacks conducted in the name of pacifying Arab "pirates." Throughout the 1800s the British secured this crucial geopolitical arena, transforming it into both a crossroads of land and sea and a borderland guarding British India's western flank. Establishing this informal imperial system involved a triangle of actors in London, the subcontinent, and the Gulf region itself. By the nineteenth century's end, amid renewed waves of inter-imperial competition, this nexus of British interests and narratives in the Gulf region would occasion the appearance of a new name: the Middle East.

Charting the spatial, political, and cultural emergence of the Middle East, Inventing the Middle East reveals the deep roots of the twentieth century's geographic upheavals.

This book examines the lives, careers, and publications of a group of Spanish Renaissance surgeons as exemplars of both the surgical renaissance occurring across Europe and of the unique context of Spain.

In the sixteenth century, European surgeons forged new identities as learned experts who combined university medical degrees with manual skills and practical experience. No longer merely apprentice-trained craftsmen engaged only with healing the exterior wounds and rashes of the body, these learned surgeons actively engaged with the epistemic shifts of the sixteenth century, including new forms of knowledge construction, based in empiricism, and knowledge circulation, based in printing. These surgeons have long been overshadowed by the innovative work of anatomists and botanists but were participants in the same intellectual currents reshaping many aspects of knowledge. Active in communities across both Castile and Aragon, learned surgeons formed an intellectual community of practitioners and scholars who helped reshape surgical knowledge and practice. This book provides an overview of the Spanish learned surgeons, known as medicos y cirujanos, who were influential in universities, on battlefields, at court, and in private practice. It argues that the surgeons' larger significance rests in their collective identity as part of the broader intellectual shift to empiricism and innovation of the Renaissance.

Renaissance Surgeons: Learning and Expertise in the Age of Print is essential reading for upper-level students and scholars of the history of medicine and early modern Spain.

This book provides an introduction to a fairly new approach to natural resources management practice entitled ecohydrology-based landscape restoration.

Ecohydrology-based landscape restoration integrates landscape restoration practices with ecohydrology science and principles in order to help address the limitations of current management practices in developing countries. Focusing on both the theory and practice of implementing new management practices, the book includes conceptual designs and practical demonstrations for a variety of sites, including hillsides, farmlands, gullies, riparian buffers and wetlands, while also drawing on field research conducted in Ethiopia. The book puts forward principles for improving current practices, which include the better integration of hydrological and ecological concerns, the greater involvement of local communities, the adoption of indigenous practices, the establishment of green and semi-grey infrastructure as an ecohydrological systemic solution and the necessity of taking an adaptive approach to managing landscapes.

This book will be of great interest to students and scholars of water resource management, ecohydrology and landscape restoration as well as professionals involved in the restoration of landscapes in developing countries.