This book provides a theoretical and practical foundation needed to change the practice of land use management in Southern Africa.

It presents an overview of alternative land use management system for South African municipalities that is economically, socially, and environmentally more sustainable than many of the land use schemes in effect at present. Land use management is a component of spatial governance that controls the nature and extent of development to prevent harmful impacts on people and the environment. As the current system with its colonial/modernist planning and regulatory mechanisms were never designed to deal with rapid change, urbanisation, and informality, a different form of land development and land use management is necessary. This timely book reflects the culmination of many years of practical experience and research into various aspects of land use management by the authors and studies undertaken by their master's and doctoral students. The book goes beyond an analysis of the problems and suggests concrete proposals that can be applied throughout Southern Africa based on a rural-to-urban transect.

This book is directed to a broad range of readers interested in spatial planning and land use management. It will be of interest to those in the fields of geography, urban studies, urban design, planning, and architecture.

How Mexican and Latinx hackers apply concepts from coding to their lived experiences

In Code Work, Hector Beltran examines Mexican and Latinx coders' personal strategies of self-making as they navigate a transnational economy of tech work. Beltran shows how these hackers apply concepts from the code worlds to their lived experiences, deploying batches, loose coupling, iterative processing (looping), hacking, prototyping, and full-stack development in their daily social interactions-at home, in the workplace, on the dating scene, and in their understanding of the economy, culture, and geopolitics. Merging ethnographic analysis with systems thinking, he draws on his eight years of research in Mexico and the United States-during which he participated in and observed hackathons, hacker schools, and tech entrepreneurship conferences-to unpack the conundrums faced by workers in a tech economy that stretches from villages in rural Mexico to Silicon Valley.

Beltran chronicles the tension between the transformative promise of hacking-the idea that coding will reconfigure the boundaries of race, ethnicity, class, and gender-and the reality of a neoliberal capitalist economy divided and structured by the US/Mexico border. Young hackers, many of whom approach coding in a spirit of playfulness and exploration, are encouraged to appropriate the discourses of flexibility and self-management even as they remain outside formal employment. Beltran explores the ways that "innovative culture" is seen as central in curing Mexico's social ills, showing that when innovation is linked to technological development, other kinds of development are neglected. Beltran's highly original, wide-ranging analysis uniquely connects technology studies, the anthropology of capitalism, and Latinx and Latin American studies.

How the "recycling" of the Ottoman Empire's uses of genealogy and religion created new political orders in the Middle East

In this groundbreaking book, Adam Mestyan argues that post-Ottoman Arab political orders were not, as many historians believe, products of European colonialism but of the process of "recycling empire." Mestyan shows that in the post-World War I Middle East, Allied Powers officials and ex-Ottoman patricians collaborated to remake imperial institutions, recycling earlier Ottoman uses of genealogy and religion in the creation of new polities, with the exception of colonized Palestine. These polities, he contends, should be understood not in terms of colonies and nation-states but as subordinated sovereign local states-localized regimes of religious, ethnic, and dynastic sources of imperial authority. Meanwhile, governance without sovereignty became the new form of Western domination.

Drawing on previously unused Ottoman, French, Syrian, and Saudi archival sources, Mestyan explores ideas and practices of creating composite polities in the interwar Middle East and, in doing so, sheds light on local agency in the making of the forgotten Kingdom of the Hijaz, Jordan, Egypt, Saudi Arabia, and Syria, the first Muslim republic. Mestyan considers the adjustment of imperial Islam to a world without a Muslim empire, discussing the post-Ottoman Egyptian monarchy and the intertwined making of Saudi Arabia and the State of Syria in the 1920s and 1930s.

Mestyan's innovative analysis shows how an empire-based theory of the modern political order can help refine our understanding of political dynamics throughout the twentieth century and down to the turbulent present day.

Buntu Swisa has written a vivid biography of Dan Qeqe, the legendary sportsman, powerbroker and pioneer of black rugby and the liberation of sport. His book examines the complex and questionable relationships that Qeqe had with the enemies of non-racial sport, which cemented his power base. Siwisa tells the story of Qeqe's life and times and at the same time has written a social and political biography of Port Elizabeth-a people's history of Port Elizabeth. As much as Qeqe was a local legend, his achievements had national repercussions and, indeed, continue to this day.

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Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery.

How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fi?lmfa?rsi?) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic siyah bazi (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples-one of "absence" that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery.

Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery's longue duree in ways that resist its overpowering erasure in the popular and historical imagination.

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The Middle East, often referred to as the cradle of the three monotheisms, is saturated with symbolism. Situated at the crossroads of Asia, Africa, and Europe, it is a land marked by the rich confluence of religions and peoples. It has also been the focal point of endemic tensions and conflicts, many of which stretch back into the mists of time.

In this new history of the Middle East, Jean-Pierre Filiu looks beyond religion and focuses his attention on the processes by which powers and their areas of domination were established over time. His starting point is 395, the year when the Roman Empire was divided into eastern and western halves: at that point, the Middle East emerged as a specific entity, freed from external domination, and a Christianity of the East asserted itself, turned towards Byzantium rather than towards Rome. From this point on, Filiu follows a strictly Middle Eastern dynamic, tracing the rise and fall of powers linked to the three principal centres of Egypt, Syria, and Iraq and recounting the procession of empires, invasions, and assertions of imperialist ambition that have characterized the region since then. The book closes in 2022, when the men and women of the Middle East were still struggling for the right to define their destiny by telling their stories in their own voices.

This magisterial and up-to-date history of the Middle East will be essential reading for students and scholars and for anyone interested in the history and politics of one of the most important and contested regions of the modern world.

This book emphasises the need to empower marginalised communities to contribute to decision-making processes within policy realms. It contributes to ongoing debates in the social sciences about infrastructure rights and citizenship, and it throws insight on human-infrastructure interactions in the informal neighbourhoods of the global South.

The book delves into the complexities of caste, gender, class, and political identities and affiliations associated with the multiple factors of inclusion and exclusion particularly in the case of access to infrastructure in informal settlements in urban areas with an added productive function. This book is about how this historic inner-city, situated, religious idol-crafting community is transforming due to factors including access to physical and social infrastructure, local governance policies, sociopolitical hierarchies, and complexities of informal tenure. Drawing on sociocultural norms, and values of idol-crafting practices, it documents, analyses, and presents the networks and relations of the neighbourhood through a spatial and material lens. Findings contribute to understanding how traditional practices of a crafting community are adapting, appropriating, producing, and reshaping informal spaces in Kumartuli.

The book is aimed at academic audiences across the world researching creative industries, Kolkata's regeneration agenda, and cultural tourism. It will be of interest to the wide disciplines of Urban Studies, Development Studies, Architecture and Planning, and Culture and Tourism Studies.