Untangles how data shapes and is shaped by queer worldsData, perilous and powerful, is both a worldmaking and a dismantling force. The collection of data about queer lives and bodies, the consequences of data analysis for queer subjects, and considerations of privacy and consent often present ethical dilemmas even as queer data expands our understanding of who and what counts. The need for queer analyses and perspectives has taken on a new sense of urgency in light of hostile antiqueer policies by major technology companies, the security theater of airports, the disproportionate rates of policing queer people and people of color, digital surveillance in border security, and the proliferation of digital health records.

Gathering wide-ranging interdisciplinary conversations into one rich volume, Queer Data Studies challenges readers to rethink how the extraction, circulation, modeling, governance, and use of data affects queer subjects and, at the same time, to consider how the power of data might be harnessed in the service of queer ethics. Contributors take a capacious approach to data, drawing from a range of sources, including stories, sounds, medical data, police data, maps, and algorithmic modeling. This anthology engages intersectional, decolonial, feminist, queer, and trans research, advancing ongoing dialogues about data across the social sciences, humanities, and applied sciences.

Joy is a politicized form of pleasure that goes beyond gratification to challenge norms of gender, sexuality, race, and class. Kristie Soares focuses on the diasporic media of Puerto Rico and Cuba to examine how music, public activist demonstrations, social media, sitcoms, and other areas of culture resist the dominant stories told about Latinx joy. As she shows, Latinx creators compose versions of joy central to social and political struggle and at odds with colonialist and imperialist narratives that equate joy with political docility and a lack of intelligence. Soares builds her analysis around chapters that delve into gozando in salsa music, precise joy among the New Young Lords Party, choteo in the comedy ?Que Pasa U.S.A.?, azucar in the life and death of Celia Cruz, dale as Pitbull's signature affect, and Alexandria Ocasio-Cortez's use of silliness to take seriously political violence.

Daring and original, Playful Protest examines how Latinx creators resist the idea that joy only exists outside politics and activist struggle.

Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries.

Eleanor Patterson's fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media's formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos 'n' Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling's growth into an international sports entertainment industry.

The ultrawealthy largely own and guide the newspaper system in the United States. Through entities like hedge funds and private equity firms, this investor class continues to dismantle the one institution meant to give voice to average citizens in a democracy.

Margot Susca reveals the little-known history of how private investment took over the newspaper industry. Drawing on a political economy of media, Susca's analysis uses in-depth interviews and documentary evidence to examine issues surrounding ownership and power. Susca also traces the scorched-earth policies of layoffs, debt, cash-outs, and wholesale newspaper closings left behind by private investors and the effects of the devastation on the future of news and information. Throughout, Susca reveals an industry rocked less by external forces like lost ad revenue and more by ownership and management obsessed with profit and beholden to private fund interests that feel no responsibility toward journalism or the public it is meant to serve.

Analyzes a film genre's confrontation of a regional identity

Known for their progressive environmental policies and nature-loving citizens, Nordic countries also produce what may seem a counterintuitive film genre: ecohorror, where distinctions between humans and nature are blurred in unsettling ways. From slashers to arthouse thrillers, transnational Nordic ecohorror films such as Antichrist (dir. Lars von Trier, 2009) and Midsommar (dir. Ari Aster, 2019) have garnered commercial and critical attention, revealing an undercurrent of ecophobia in Nordic culture that belies the region's reputation for environmental friendliness.

In Menacing Environments, Benjamin Bigelow examines how ecohorror rings some of the same alarm bells that climate activists have sounded, suggesting that the proper response to the ongoing climate catastrophe is not optimism and a market-friendly focus on sustainable development, but rather fear and dread. Bigelow argues that ecohorror destabilizes the two pillars of Nordic society-the autonomous individual and the sovereign state. He illustrates how doing away with any clean separation of the domains of human culture from a wild, untamed realm of nature reminds viewers of the complex and often threatening material entanglements between humans and their environments.

Through Bigelow's analysis, ecohorror proves to be a potent vehicle not only for generating a strong affective response in audiences but also for taking on the revered institutions, unquestioned ideological orthodoxies, and claims of cultural exceptionalism in contemporary Nordic societies.

Menacing Environments is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of the University of Minnesota.

DOI 10.6069/9780295751658

To enact the book's central theme of automation and human agency, the author designed a Bot trained on her book to support dialogue with the content and facilitate discussions. If you like to compare what the author says and Bot 'interprets' or generates, go here https://www.anonette.net/denisaBot/

Algorithms and Automation: Governance over Rituals, Machines, and Prototypes, from Sundial to Blockchain is a critical examination of the history and impact of automation on society. It provides thought-provoking perspectives on the history of automation and its relationship with power, emphasizing the importance of considering the social context in which automation is developed and used. The book argues that automation has always been a political and social force that shapes our lives and futures, rather than a neutral tool. The author provides a genealogy of automation, tracing its development from ancient rituals to modern-day prototypes, and highlights the challenges posed by new technologies such as blockchain and artificial intelligence. The volume argues that we need more democratic and accountable governance over technological innovation to ensure that it respects human rights, political pluralism, legitimacy, and other values we hold dear in our institutions and political processes.

An engaging read on a fascinating topic, this book will be indispensable for scholars, students, and researchers of science and technology studies, digital humanities, politics and governance, public policy, social policy, system design and automation, and history and philosophy of science and technology. It will also be of interest to readers interested in the interactions of the sciences and the social sciences and humanities.

This book highlights the linkages between politics and governance and the arts. The essays in the volume show how visual and performative arts have challenged those in power - or conversely patronised by them - been used for propaganda, to stir up national fervour and found themselves at the receiving end of political censure. They focus on the tension and symbiosis between the politician and the artist foregrounding how they have always tried to influence, challenge and, in some cases, undermine one another.

This volume will serve as an indispensable source for researchers and academics in political science, the humanities and performing arts.

This reintroduction to the life and work of Marcel Mauss highlights his coherent and original thought both as an academic and an engaged intellectual of his time. Since his work regained attention in social sciences in the later 20th century, Reintroducing Marcel Mauss also emphasises the progression of research on Mauss's thought, bringing to light various neglected aspects of his scientific project, including his political commitment and writings. With a review of the contemporary research on Mauss's legacy, it offers a fuller understanding of the questions with which he was concerned - questions which converged in the challenge of working out alternative ways for a social life that promotes a genuinely social society inspired by socialist and cooperative values. It will therefore appeal to scholars of sociology and anthropology with interests in the history and development of sociology, and the contemporary importance of classical social theory.

This handbook looks at cross-cultural work on harmful cultural practices considered gendered forms of abuse of women. These include female genital mutilation (FGM), virginity testing, hymenoplasty, and genital cosmetic surgery.
Bringing together comparative perspectives, intersectionality, and interdisciplinarity, it uses feminist methodology and mixed methods, with ethnography of central importance, to provide holistic, grounded theorizing within a framework of transformative research. Taking female genital mutilation, a topical, contested practice, and making it a heuristic reference for related procedures makes the case for global action based on understanding the complexity of harmful cultural practices that are contextually differentiated and experienced in intersectional ways. But because this phenomenon is enshrouded in matters of sensitivity and prejudice, narratives of suffering are muted and even suppressed, are dismissed as indigenous ritual, or become ammunition for racist organizing. Such conflicted and often opaque debates obstruct clear vision of the scale of both problem and solution.

Divided into six parts:

* Discourses and Epistemological Fault Lines
* FGM and Related Patriarchal Inscriptions
* Gender and Genitalia
* Female Bodies and Body Politics: Economics, Law, Medicine, Public Health, and Human Rights
* Placing Engagement, Innovation, Impact, Care
* Words and Texts to Shatter Silence

Comprised of 24 newly written chapters from experts around the world, this book will be of interest to scholars and students of nursing, social work, and allied health more broadly, as well as sociology, gender studies, and postcolonial studies.

Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redzepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers' ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer's life and art build on one another; and technology's ability to challenge our ideas about what constitutes music.

Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions.

Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald

In this second edition, author Scott Kirkpatrick draws from over a decade of personal experience in the distribution arena to provide a clear and up-to-date overview of the entire film, television, and new media distribution business.

Readers will learn what fuels the distribution process and exactly how the distribution business works from beginning to end-not merely what happens to a film or television series upon acquisition, but how distributors develop, presell and broker deals on content before it even exists. This new edition considers a much more international approach to media distribution, with case studies and analyses from across the globe. It also reflects on the ever-increasing relevance of diversity and inclusiveness in the industry, as well as the new media verticals like podcasts and the effects of social media influencers on the media landscape.

The book will be an integral guidebook for any student or professional wishing to understand both the basics and the subtleties of media distribution. The book also contains a robust appendix containing in-depth studies of legal definitions, material delivery requirements, territory-by-territory financial projections and more.

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.

Kim Hong Nguyen's feminist media study examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mean girl, the power couple, and the global mother. White feminists mime the anger, disempowerment, and resistance felt by people of color and other marginalized groups. Their performance allows them to pursue and claim a special place within established power structures, present as intellectually superior, substitute nonpolitical playacting for a politics of solidarity and community, and position themselves as better, more enlightened masters than patriarchy. But, as Nguyen shows, the racialized meanness found across pop culture opens possibilities for building an intersectional feminist politics that rejects performative civility in favor of turning anger into liberation.

What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and music's role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCO's Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music.

Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina Sanchez-Carretero, Jose Hugo Pires Castro, Paulo Ferreira de Castro, Fernan del Val, Hector Fouce, Diego Garcia-Peinazo, Leonor Losa, Josep Marti, Eva Moreda Rodriguez, Pedro Russo Moreira, Cristina Cruces Roldan, and Igor Contreras Zubillaga

Elements of Moral Experience in Clinical Ethics Training and Practice: Sharing Stories with Strangers is a philosophical and professional memoir of the education, training, and professional development of becoming a clinical ethics consultant. Utilizing a phenomenological and narrative lens, this book offers a fresh and energizing window into the field of healthcare ethics by pairing compelling clinical narratives of what it is like to do clinical ethics consultation with clear reflections and accessible introductions to key philosophical, professional, and humanistic roots for responsible practice. Each chapter contains a firsthand account of a clinical ethics encounter - with vivid detail, verbatim dialogue, and internal monologues that reveal the consultant's reflections throughout the consultation. Following or at times woven into the clinical story, each chapter explores elements of practice by highlighting philosophical, professional, and humanistic resources that connect to and shape meaning in everyday clinical ethics work, drawing from phenomenologically and narratively oriented ethicists (Richard Zaner, Andrea Frolic, Mark Bliton, and Stuart Finder), influential thinkers in adjacent fields (Alfred Schutz, Kurt Wolff, and Pierre Bourdieu), and creative writers and artists (Barry Lopez, Joe Henry, Audre Lorde, Robert M. Pirsig, and Dar Williams). The innovative structure signposts and illustrates distinct elements of clinical ethics experience and practice, inviting the reader to move through the book in different ways, according to their own learning goals, as graduate students, advanced trainees, practicing clinical ethicists, or ethics educators. By focusing on themes identified in the unique instances or experiences of first-hand accounts, or by tracing the philosophical reflections on grounding and orienting texts from the field, readers can access different elements of clinical ethics practice while the book as a whole models a process for considering and interrogating these elements. Elements of Moral Experience in Clinical Ethics Training and Practice: Sharing Stories With Strangers invites readers to articulate, reflect on, share, and ultimately learn from their own experiences in clinical ethics consultation.

This volume provides fresh insight into northern human-animal relations and illustrates the breadth and practical utility of archaeological human-animal studies. It surveys recent archaeological research in northern North America and Eurasia that frames human-animal relations as not merely economically exploitative but often socially complex and deeply meaningful, and attuned to the intelligence and agency of nonhuman prey and domesticates. The case studies sample a wide swath of the circumpolar region, from Alaska, Nunavut, and Greenland to northern Fennoscandia and western Siberia, and span sites, finds, and scenarios ranging in age from the Mesolithic to the twenty-first century. Many taxa on which northern lives hinged figure in these analyses, including large marine mammals, polar bear, reindeer, marine fish, and birds, and are variously approached from relational, multispecies, semiotic, osteobiographical, and political economic perspectives. Animals themselves are represented by osteological remains, harvesting gear, and depictions of animal bodies that include zoomorphic figurines, petroglyphs, ornamentation, and intricate portrayals of human-animal harvesting encounters. Far from settling the problem of how archaeologists should approach northern human-animal relations, these chapters reveal the irreducible complexity of northern worlds and highlight the diversity of human and nonhuman animal lives. This book will be of particular interest to northern archaeologists and zooarchaeologists, and all those interested in the possibilities of a multispecies approach to the archaeological record.