Most of the world knows Uruguay only for its soccer team, or its vaunted title as the "Switzerland of South America," an enduring moniker given to the country for its earlier social welfare policies and relative stability. Even many scholarly narratives of Latin America fail to integrate the country into historical accounts, reducing the country to, as one historian has explained, "a periphery within the periphery that is Latin America."

This volume challenges that characterization, taking one of the most innovative small states in the region and analyzing its transnational influence on the world. Uruguay in Transnational Perspective takes a broad look at the country's three-hundred-year history, connecting imperial practices and resistance, Afro-Latin movements, and feminist firebrands, among others to understand how the country and its citizens have influenced and shaped regional and global historical narratives in a way that has thus far been overlooked.

With a true collaboration between scholars of the Global North and Global South, the volume is both transnational in its scholarly focus and its production. Its interdisciplinary nature offers a broad range of perspectives from leading scholars in the field to re-evaluate Uruguay's impact on the global stage.

In The Foundations of the Composite Culture in India, the focus of the author is the process of establishment of Hindu-Muslim unity as a result of historical, social and cultural factors over a period of ten centuries. Traversing this era, he reveals how the Muslim rulers contributed to such harmony and how the two cultures exchanged and accepted each other's tenets to enrich and formulate a composite Indian culture. To explore the foundations on which the complex culture of India rests, the author examines the contribution of Sufism which inherently connotes syncretism and tolerance, as well as the simultaneous rise of the Bhakti movement in medieval India.

This title is co-published with Aakar Books. Print editions not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

Between Sahara and Sea: Africa in the Roman Empire challenges orthodox views of the story of Africa under Roman domination. It presents a new framework for understanding this and other territories incorporated in the Roman Empire. Based on decades of research in North Africa, David Mattingly's book is a cleverly constructed and innovative account of the history and archaeology of ancient North Africa (roughly equivalent to Morocco, Algeria, Tunisia, and Libya) from the first century BCE to the third century CE. He charts a new path toward a bottom-up understanding of North African archaeology, exploring in turn the differing material cultures and experiences of the Roman communities of the military and the urban and rural areas. Regional and societal differences emerge as significant and of long duration in the fascinating story of one of the most important sectors of the Roman Empire.

This important book is the most comprehensive in English on Roman North Africa. It is remarkably rich, with up-to-date references and a host of new ideas and perspectives. Well written and illustrated, with a plethora of maps, it will be required reading for anyone interested in the subject. Rather than emphasizing the role of external actors, as studies of "Roman Africa" have traditionally done, Between Sahara and Sea focuses on local contributions to the making of Africa in the Roman Empire. The author demonstrates that the multiple populations encountered by Rome were not an indistinct bloc, but had different identities and cultures.

This book explores how women spearheaded the democratic suffrage campaign in colonial Queensland engaging with international debates on women's activism, leadership, advocacy, print culture, and social movements.

Australian Women's Justice provides a nuanced reading of the diversity and differences of the women's movement in Queensland, from the time of first white colonisation, federation to World War 1 by new research on key women's organisations: notably the Women's Equal Franchise Association and the Women's Peace Army. Framed through the lives of women suffrage participants, including their encounters with First Nations women, it also looks beyond microhistory to explore broader themes of the intersection of race, gender, property, war, and empire in the colonial context. Campaigns for enfranchisement and property rights and against conscription connect this story with larger international movements for women and labour, and organisations such as the League of Nations.

This book will be of interest to students and researchers of Australian feminism and suffragism, as well as historians of feminist, labour, and peace movements both in Australia and internationally.

Drawing on the frameworks of peace journalism, this book offers new insights into the Pakistani media coverage of Afghan refugees and their forced repatriation from Pakistan. Based on a three-year-study, the author examines the political, social and economic forces that influence and govern the reporting practices of journalists covering the protracted refugee conflict between Pakistan and Afghanistan.

Through a critical discourse analysis of the structures of journalistic iterability of Afghan refugees in Pakistan, the author distils four dominant and three emerging frames, and proposes a new teleological turn for peace journalism as deliberative practice, that is to say practice that by promoting transparency and accountability (recognition) and challenging dominant power-proposed narratives and perspectives (resistance) encourages public engagement and participation (cosmopolitan solidarity). The author also privileges an analytical approach that conceptualises the nexus between digital witnessing and peace journalism through the paradigm of cosmopolitanism.

The author finds routinely accommodated media narratives of security that represent Afghan refugees as a 'threat', a 'burden' and the 'other' that, through reinforcement, have become an incontestable reality for the public in Pakistan. This book will appeal to those interested in studying and practicing journalism as a conscientious communicative practice that elicits the very public it seeks to inform.

The Mother, the Politician, and the Guerrilla intervenes in discussions on decolonialism and feminism by introducing the example of the Kurdish Women's Freedom Movement. UEstuendag shows how the practices and the concepts of the movement contribute to debates on how the past, present, and future can be critically rethought in revolutionary ways.
In the movement's images, figures, voices, bodies, and their reverberations UEstuendag elaborates a new political imagination that has emerged in Kurdistan through women's acts and speech. This political imagination unfolds between flesh, body, voice, language. It is the result of Kurdish women's desire to find new ways of being and becoming, between the necessary and the possible.
Focusing on the figures of the mother, the woman politician and woman guerilla, UEstuendag argues that the Kurdish Women's Freedom Movement changes what politics consists of, including its matter, relationality, temporality, and spatiality. Although anchored in the specific Kurdish experiences, the book puts the movement into conversation with feminist political theory, psychoanalysis, Black Studies, Queer Studies, and Decolonial Studies. In solidarity with the Kurdish Movement's tradition of resistance to History with a capital H that Kurds have built through reiterated performance, the book seeks to establish what new entanglements with wide-ranging thought the movement offers as a provocation for contemporary politics.

Liron Mor's book queries what conflict means in the context of Palestine-Israel. Conflict has long been seen as singular and primary: as an "original sin" that necessitates the state and underwrites politics. This book problematizes this universal notion of conflict, revealing its colonial implications and proposing that conflicts are always politically constructed after the fact and are thus to be understood in their various specific forms.
The book explores sites of poetic and political strife in Palestine-Israel by combining a comparative study of Hebrew and Arabic literature with political and literary theory. Mor leverages an archive that ranges from the 1930s to the present, from prose and poetry to film and television, to challenge the conception of the Palestinian-Israeli context as a conflict, delineating the colonial history of this concept and showing its inadequacy to Palestine-Israel. Instead, Mor articulates locally specific modes of theorizing the antagonisms and mediations, colonial technologies, and anticolonial practices that make up the fabric of this site. The book thus offers five figurative conflictual concepts that are derived from the poetics of the works: conflict (judgment/ishtibak), leva?im (disorienting dilemmas), ikhtifa? (anti/colonial disappearance), ?o? (mediating law), and inqisam (hostile severance). In so doing, Conflicts aims to generate a historically and geographically situated mode of theory-making, which defies the separation between the conceptual and the poetic.

Over the past decades, 'photovoice' has emerged as a participatory and creative research method in which participants capture and discuss their reality through photographs.

This indispensable 'how-to' book with exercises and visual aids takes novice and veteran researchers through the practicalities and ethics of applying this approach. Written by experienced teacher Nicole Brown, the book:

- outlines the conceptual foundations and historical development of the approach;

- redefines photovoice as a research method and as a framework;

- explores how photovoice can be used in all stages of research from data collection to dissemination;

- provides guidance and food for thought to get researchers started on their project.

Each chapter ends with exercises that focus readers' learning and understanding by practically engaging them in the work presented throughout. The examples and visual aids will help them recognise all the details presented and represented in a photograph.

For researchers who would like to try their hand at photovoice as a method or as a framework to foster a more participatory approach, this is the ultimate guide to kickstart their project.

Israeli Masculinity, Sex Work, and Consumerism: Heteronormativity and Sexual Repertoires explores the inner world of Israeli sex work consumers and their use of digital technologies on which intense feelings of social togetherness and belonging create a localized form of homosociality and brotherhood.

The first of its kind to offer an in-depth analysis of masculine sexual repertoires in the field of sex consumption, this book uses extensive data and observations of online ethnography among a community of Israeli sex consumers operating online. It elucidates the economics of demand in the field of sexual consumption and highlights how the rise of the thriving online communities of sex consumers can function as a platform on which power relations between men themselves are publicly displayed and are constantly challenged.

Israeli Masculinity, Sex Work, and Consumerism: Heteronormativity and Sexual Repertoires will be suitable for researchers in Gender and Sexuality Studies, Sociology, Anthropology and Criminology.