Gregory Camp shows that the choice and use of music in Disney theme parks is very much grounded in Disney's experience with storytelling on film and television, and that Disney's musical storytelling in the parks is built upon the concept of nostalgia.

Camp illustrates how the instrumentation and composition of the music impacts audience experience and shapes perceptions. The book is an essential guide for anyone seeking to understand the intricate interplay between music and narrative nostalgia. Ever since its founding in 1923, the Disney Company has foregrounded music in its storytelling in film, television, and live entertainment. Music was important at Disneyland from its opening day on 17 July 1955, when a widely viewed television broadcast included many musical performances of the type guests could hear in the parks. Since then, as Disneyland has expanded and the company has opened many more parks all around the world, music has remained fundamental to how the parks' designers (Imagineers) tell their stories.

The book will be of interest to musicologists and those working in film studies, as well as those from the wider Disney scholarship community, who come from urbanism, fandom studies, and various other branches of sociology and ethnography, as well as to others who study various aspects of music's role in live and virtual spaces and places.

This volume offers replicable approaches for centering equity as a core value in community-campus relationships.

Through interrogation of contemporary practice, chapter authors examine the many ways in which equity is deliberately centered in community relationships, practices, research, and pedagogies, thereby accounting for how equity is defined, perceived, and shaped across diverse cultures, perspectives, and institutions. With a focus on relationship-building as a pathway to meaningful community engagement, contributors reflect on successes, obstacles, and moments of vulnerability, describing how relationships were initiated and lessons learned to ensure equitable values were centered and upheld. The text concludes with a meaningful discussion on the implications of these practices and the future of this work: equity continues to be a foundational element of any community-campus partnership.

This book will be an essential resource for academics and communities alike, particularly community partners, graduate students, scholars, and faculty who seek to center equity within their community-engaged work.

This is the first book to focus on the topic of doping in esports. As the global esports industry continues to grow, this book critiques current anti-doping practices and considers the role that the World Anti-Doping Agency and the International Olympic Committee might play in creating a sustainable anti-doping scheme.

Drawing on new research, this book maps the instances of doping within esports and considers the differences between esports and traditional sports, including the multiplicity of organisations - from federations to game publishers - that make up the complex governance structure of the esports industry. It argues that the WADA Code and well-established anti-doping mechanisms proven in traditional Olympic sports can provide a blueprint for improving anti-doping efforts within esports and strengthen the efficacy and legitimacy of esports governing bodies.

This is fascinating reading for anybody with an interest in esports, video games, sports and entertainment law, sport policy, sport management, or the ethics of sport.

Global South Creator Cultures situates creator labour within the geographic specificities of nation-states and examines the working conditions of social media creators and the geographical challenges of their work, offering a four-part conceptual framework for studying creator cultures. Rather than placing creator cultures in the Global South against those in the Global North to produce a series of binaries, it prioritises expanding our frames of reference for studying creator labour. It does so by examining creator cultures in India, Turkey, Brazil, Chile, Pakistan, Nigeria, Hong Kong, and China through approaches from media, communication, and cultural studies, as well as internet, platform, and creator studies.

Rich with grounded subjective experiences of Global South creators, this collection is essential reading for students and academics of media, communication, and cultural studies, and appeals to anyone interested in understanding the complex relationship between nation-states, social media platforms, and creators.

Mapping has evolved beyond navigation into a method for interpreting spatial, ephemeral, and sociopolitical dimensions of contemporary life. This volume explores how cartographic practices are being reimagined across disciplines to understand and reconfigure urban space.

The chapters examine mapping as both representational and generative, spanning participatory mapping in informal settlements, film-based documentation of marginalised geographies, embodied cartographies, and data-driven analysis. Organised into five parts, "Representation," "Critical Cartographies," "Mapping Belonging," "Performative Cartographies," and "Data Mapping", the volume highlights methodological and layered dimensions of contemporary mapping. By interrogating traditional cartography, the book emphasises maps' role in constructing social realities and navigating contested urban terrains. Contributors demonstrate mapping as an engagement practice that reveals hidden geographies, amplifies marginal voices, and reimagines spaces.

This volume challenges readers to reconsider mapping as an interdisciplinary practice and mode of inquiry that can transform our understanding of complex environments and social dynamics. It will be of interest to researchers and students of urban design, architecture, planning, human geography, politics and sociology.

This book critically examines the transformative intersection of technology with sport and recreation, revealing how technological innovations reshape performance, participation, community engagement, and sustainability.

Drawing from empirical research, diverse case studies, and industry insights, the book explores technologies such as wearable fitness devices, artificial intelligence (AI), augmented and virtual reality, esports platforms, digital media, and smart sport-tech solutions. Readers will gain insights into how technology enhances personal fitness and athletic performance, creates immersive spectator experiences, facilitates digital community-building, promotes inclusivity in adaptive sports, and drives sustainability in sport management. Structured around the innovative Technology-Sport-Recreation Framework (TSRF), the book systematically captures complex technological interactions within sport and recreation, highlighting both benefits and ethical considerations. Each chapter includes case studies, practitioner interviews, and links to online resources to further enrich readers' understanding and application of the concepts discussed.

This is an essential resource for sport and recreation professionals, policymakers, academics, and students in sport management, kinesiology, technology studies, public health, and sustainability. It is also invaluable for technology developers, industry practitioners, and anyone passionate about understanding the dynamic interplay between sport, recreation, and technological advancement.

This timely edited volume challenges the potentially simplistic blame narratives surrounding artificial intelligence (AI), urging instead a shared ethical responsibility among users, researchers, policymakers, and others.

Rejecting the notion of AI as an autonomous 'evil', the book interrogates how human choices embedded in power structures, colonial legacies, and ideological frameworks can shape AI's impact on intercultural relations. Through decolonial critiques, dialogic experiments, and perspectives from the Global South, the contributors expose algorithmic biases, epistemic injustices, and governance gaps, while advocating for collective agency. From African Ubuntu ethics to Moroccan linguistic and cultural equity, and the political economy of creative industries, the book portrays AI as a mirror of human complexities and contradictions rather than a scapegoat.

A vital resource for students and scholars of intercultural communication education and research, this book calls for reflexive engagement with AI, emphasising co-accountability over unfounded dread.

This book critically examines two versions of the genre identified as pub rock as they evolved in the UK and Australia. Both developed in the communal spaces of pubs and both had their heyday in the mid- to-late 1970s. Indeed, the two have so much in common that AC/DC, sometimes thought of as the quintessential Australian pub rock group, became hugely popular in the UK, while other Australian groups such as the Sports, outliers of pub rock, also had success there. At the same time UK pub rockers like Graham Parker and the Rumour and Rockpile toured Australia. Three of Parker's albums climbed to higher places on the Australian chart than on the UK chart. However, a great deal separated the two genres. In the UK, pub rock is often misleadingly viewed as the insipid music which was violently replaced by the uproarious and rebellious punk sounds of Sex Pistols, the Clash, the Slits and the other do-it-yourself groups of 1977 and later. Many members of groups later identified as punk, including Sex Pistols and the Clash, had previously played in groups identified as pub rock. In Australia, pub rock, played by groups including Billy Thorpe and the Aztecs, the Angels and Rose Tattoo, formed the basis for the mainstream guitar rock sound that dominated Australian popular music through the 1980s and into the 1990s. This book makes a valuable contribution to cultural sociology, popular music and cultural studies.

Queer Narratives in Contemporary American Comics: Gutter Smut examines how comics reveal evolving perspectives on gender, sex and sexuality in the United States. Tracing moral panics from the mid-20th century to present-day radical cartoonists, this volume analyzes works from established creators like Alison Bechdel and Kelly Sue DeConnick alongside emerging cartoonists such as Laura Gao and Isabella Rotman. Through various feminist theoretical lenses, the book provides timely cultural criticism of both fiction and nonfiction comics, revealing how social mores related to gender have-and haven't-shifted over time.

Queer Narratives in Contemporary American Comics: Gutter Smut serves as an invaluable resource for students of gender studies, cultural studies, media studies and other many other disciplines.

In Oceans as Archives, the ocean forms a generative site to develop practices of reading, writing, thinking, and imagining a long era of climate catastrophe. Many scholars, artists, and activists have argued that climate catastrophe demands new methods of writing, representation, and critique that attend to the violences and erasures of the past and create new possibilities for a collective future. Indigenous, Black, and (formerly) colonized peoples have centered oceans as sites of contest and connection, spaces of subversion, multispecies entanglement, ancestral knowledge, and as sources of life.

Including short and long essays, poems, and creative interventions, this volume centers oceans as archives to expand engagements with ocean justice from non-Eurocentric critical lineages characteristic of the racial capitalocene. It speaks to questions of oceanic past-present-futures from an array of ocean regions, (inter)disciplinary fields, his/her/their stories, surfaces and depths. This scholarship-in all its multiplicity-forms a compass, a guide, a critical reminder that there have always been ways to think with the ocean beyond European cartography, extraction, capitalism, and colonization. Oceans as Archives will be essential reading for those interested in critical ocean studies, environmental humanities, Indigenous studies, Black studies, cultural studies, sociolegal studies, geography, and oceanography.

Reintroducing Pitirim A. Sorokin acquaints readers with the work and creativity of one of sociology's greatest scholars, highlighting the enduring importance of his thought and vision.

Forced to leave his native Russia by war and revolution, Sorokin (1889-1968) had a profound effect on sociology in the United States, where he helped to found several mainstream subfields of sociology and developed the discipline in new directions, including with his philosophy of Integralism. Exploring Sorokin's research on culture, civilizational change and the sociology of love, as well as his advocacy of a peaceful international order blending the cultures of East and West, this book highlights Sorokin's contribution to sociology, demonstrating that his work anticipates many of the problems of our new millennium and considering the ways in which his ideas continue to challenge and inspire us, while offering routes to addressing the difficulties we face.

The book will appeal to scholars across the social sciences with interests in social theory and the history of sociology, as well as in the sociology of culture, the sociology of war and peace, and the sociology of morality and altruism.

Drawing on the work of Foucault, Deleuze, and Latour, this book opens up a poststructuralist approach to sport, exercise, and dance research. It examines how to incorporate both articulable expression and visible material elements - theoretically and methodologically - to study the force of the moving body in practice.

This book employs critical concepts including the dispositive, assemblage, and actor network to interrogate and advance our understanding of theory and method in research of physical activity practice. It asks what a poststructuralist approach might mean, especially as it concerns themes such as the body in motion, physical activity practice, network of relations, knowledge, and power for physical cultural studies scholars. Presenting in-depth case studies of adult ballet, Barre, Pilates, coaching, ice-hockey, and cross-country running, this book also examines how researchers and practitioners can begin to collaborate to create innovative instruction, training, and coaching practices.

This is a fascinating reading for advanced students and researchers working in the physical cultural studies, sociology of sport and exercise, sociology of the body, sports coaching, physical education, or social theory.

Intercultural Communication remains the definitive critical introduction to how we navigate cultural difference in everyday life. Now in its fifth edition, the book presents a bold reworking of its core structure, offering ten streamlined chapters that challenge essentialist thinking and centre the lived, shifting realities of intercultural encounters.

Through a rich blend of fictionalised ethnographic accounts, media analysis, and academic extracts, Adrian Holliday explores how culture is constructed and negotiated in settings ranging from universities and workplaces to families, migration, and tourism. Topics include self-representation, institutional discourses, classroom dynamics, popular media, and more. Each chapter ends with reflective questions and readings that support further exploration and small-scale research.

This new edition foregrounds interculturality as a practical and political practice, calling for critical curiosity, ethical self-awareness, and resistance to reductive stereotypes. With its accessible framework and engaging materials, Intercultural Communication is essential reading for advanced students and researchers in intercultural communication, applied linguistics, and related fields.

This practical guide equips teachers, educators, and speech and language therapists who work across the age phases with the knowledge, skills, and confidence required to fully meet the speech, language, and communication (SLC) needs of children and young people (CYP). As SLC challenges are increasing among pupils, this book links theory to practical aspects of pedagogy, guiding readers to consider how to support the CYP they work with in educational settings. It champions a collaborative approach to supporting conditions such as Developmental Language Disorder (DLD), Autism, and others, and considers the reasonable adjustments that can be implemented to support all pupils (a 'universal' approach). Written by a multi-disciplinary team, it embraces sociological, educational, and medical perspectives, encouraging critical thinking and offering a range of case studies that illustrate key strategies and real-world applications, as well as signposting practical resources and sources of further support.

Pizza is the Italian food that has conquered the world: from Brussels to LA, from Beijing to Buenos Aires, pizzas and pizzerias can be found everywhere today. But what are the origins of this food and how did it rise from its humble beginnings to become the world's best-loved dish?

The story begins in the narrow alleys of Naples where, in the late eighteenth century, the city's impoverished inhabitants lived in a state of constant hunger. Pizza was born as a street food to assuage the hunger of Naples' poor. Cheap and versatile, it remained anonymous for more than a century - the few outsiders who encountered this strange flatbread, "more burned than cooked," either loved it or hated it. Gradually pizza spread to other parts of Italy and then, with the mass migration of Italians to the New World, it landed in the United States, where it enjoyed unprecedented success, invigorated by new ingredients, new recipes, and new tastes. Today, Americans are the biggest consumers of pizza in the world, at 13 kilos per head per year.

The renowned culinary historian Luca Cesari retraces the story of pizza's rise from the backstreets of Naples to a global industry now worth more than $200 billion a year. He describes how pizzas were made, the ingredients used, and the reactions of travelers, critics, and consumers. Richly illustrated with recipes from different times and places, The History of Pizza will transform your view of Italy's most iconic food.

The Routledge Handbook of Language and Culture presents a comprehensive survey of research on the relationship between language and culture. Now in its second edition, it has been fully revised to provide a clear and accessible introduction to both interdisciplinary and multidisciplinary studies in this research area.

This new edition addresses the relationship between language and culture from a variety of perspectives and theoretical frameworks. Organized into four parts, it covers major research traditions in the field, key theoretical approaches and concepts, methods and core topics in the study of the link between language and culture, and directions in applied domains, and brings together 36 carefully commissioned chapters. These cover topical areas including cognitive psychology, cognitive linguistics, cognitive anthropology, linguistic anthropology, cultural anthropology, and sociolinguistics, while tracing their historical development, contemporary theory, research, and practice. Building on Farzad Sharifian's legacy, editors Wolf and Polzenhagen guide readers through emerging directions in the field, demonstrating how language and culture research can benefit applied areas such as intercultural communication, higher education, and translation.

Written by a group of prominent scholars from around the globe, The Routledge Handbook of Language and Culture 2e provides a vital resource for scholars and students working in this area.

Examining French sports films from a cinematic and socio-cultural perspective, this book takes a close look at the characteristics that separate French sports films from Hollywood sports films and sports films produced in other countries and asks what those characteristics can tell us about wider French culture and society.

Focusing in particular on depictions of masculinity in French sports films and how they have evolved over time, this book argues that recent decades have seen a shift away from focusing on macho males towards a greater exploration of male vulnerability, depictions that go beyond the outcome of sporting contests and relate to wider issues such as what it means to be a man, partner, father, or son. It also argues that many of these films have offered only superficial engagement with issues concerning women's participation in sport and considers the extent to which race, ethnicity, and social class have also shaped the French sports film.

Filling a significant gap in the literature on French cinema and the study of sports films in general, this is fascinating reading for anybody with an interest in sport, cinema, or French history, culture, and society.

This is the first book to offer a complete, practical guide to the process of building an athlete brand and developing brand value. In an era of digital technology and social media, athletes have moved to the centre of the sport business landscape, and this book introduces the skills in branding, marketing communications, and entrepreneurship that athletes and their advisors need to develop in order to stand out from the competition.

Written by authors with decades of experience working in the sport business industry, including successful sport branding consultancy, this book takes the reader through the entire process of building an athlete brand, from goal-setting and strategic planning to managing brand identity and measuring success. It introduces the global branding ecosystem and the fundamentals of storytelling and narrative building, as well as how to navigate the rules and regulations of global sport business. This book also includes detailed guidance on managing an athlete brand across digital platforms and explores key contemporary issues such as Name, Image, and Likeness, athlete activism and social impact.

This is an essential resource for any athlete looking to build and manage their personal brand and for all sport business and communications professionals working with athletes or sports organisations.

Applying Ethical Principles to Clinical Practice provides a concise overview of bioethics, drawing especially on principlism, for all those who encounter moral dilemmas as part of their professional responsibilities to their patients.

Including an introductory chapter each on the principles of autonomy, beneficence, nonmaleficence, and justice, Glorioso then explores how these principles can apply in different clinical scenarios. The applied chapters look at end-of-life care, cancer care, intensive care, and the organization of health services. The book ends with chapters exploring how to establish healthcare ethics consultation services and develop your communication skills.

This guide is written in clear and accessible language and is designed for frontline healthcare professionals and their students.

This book provides cultural leaders, both emerging and established, with actionable tools to measure outcomes, communicate value, and build sustainable programs that create lasting positive change.

Through insightful case studies of successful socially engaged art initiatives, readers can see how theory translates into transformative practice. Whether you are a student preparing for a career in arts management or a seasoned professional looking to enhance your organization's impact on the community, this resource provides a roadmap to harness the unique power of cultural work for social transformation. By adopting this approach, arts organizations can fulfil their artistic missions while becoming essential catalysts for creating more equitable, vibrant, and connected communities. This essential guide offers a perfect balance of theoretical foundations and practical implementation strategies, equipping readers to:

? Articulate and align organizational values with stakeholder expectations

? Strategically identify and prioritize relevant social issues

? Transform business practices to authentically support social purposes

? Navigate marketing, fundraising, and legal considerations through a social impact lens

Social Impact for Cultural Organizations will be essential reading for students of arts and cultural management worldwide.

The Basics of Bioethics, Fifth Edition offers a compelling introduction to the fascinating, ever-evolving field of bioethics. Accessible and richly informative for readers from all backgrounds, this book provides an essential foundation in theories and concepts, which are then applied to numerous thought-provoking cases and contemporary questions.

Chapters are organized around common moral themes in order to help readers understand the values and other connections that tie together different positions in bioethics. Since the last edition, the field of bioethics has had to grapple with additional challenges, critiques, and difficult decisions. Readers are guided through the ethical complexities of abortion, medical aid in dying, genetic engineering, posthumous reproduction, biomedical research, and organ transplantation, among other topics.

Key changes to the Fifth Edition include:

• A new chapter dedicated to public health emergencies, incorporating key lessons learned during the COVID-19 pandemic that are relevant for future crisis planning.
• An introduction to disability ethics among non-principlist approaches, which continues to grow in influence in bioethics.
• Statistics and references have been supplemented across all chapters, integrating more international perspectives and data.
• New and updated cases illustrating a range of contemporary bioethical issues.
• Updated references and Key Concepts at the end of each chapter.

This book offers a rich, critical, and engaging exploration of cutting-edge methods for studying arts and cultural management in a digital age. The content will appeal to those who seek to study these topics by employing the latest data gathering and analytical methods. It is an informative resource for academics, including advanced masters' and PhD candidates, as well as professional arts managers seeking to understand the changing landscape. This book is relevant to arts and cultural management, creative industries, cultural policy, festivals and events, heritage, museum studies, arts consumption and marketing, and cultural tourism. It will also appeal to consultants, evaluators, and fundraisers who do research on a regular basis. The chapters engage with both traditional and contemporary research topics, including providing examples of high-quality research from national, regional, and local settings in various parts of the world. The co-authors are five diverse scholars who are experienced not only in standard qualitative and quantitative methods but also emerging techniques such as netnography and digital analysis. This book provides real-world, empirical, and theoretical insights on how to navigate the complexities of research methods in a creative context.

Combining both an industry and research focus, How to Judge a Book by its Cover not only judges books by their covers but provides a methodology for others to do the same.

Despite book titles and book covers having been identified, defined and discussed as paratexts, beginning first with Gerard Genette and by many paratextual and publishing scholars since, there is currently no methodology or defined vocabulary for the analysis and discussion of their creation, the intent and effect of their structure, and their constituent elements. As these paratexts become further and further removed from their texts then, like texts, they can - and should - be studied, especially as literature is inextricably embedded in industrial and social currents. How to Judge a Book by its Cover looks more deeply at book covers and book titles, two paratexts that are of broad academic interest but crucial to the placement, marketing, and commerce of the publishing industry.

Bringing together paratextual studies, publishing studies and media studies, visual design analysis, and the world of advertising, this work marries academic rigour with industry experience to first define the role that book covers and book titles play and then articulate a methodology for their analysis. By identifying intent behind book covers and book titles, defining the elements that may be achieved in this intent, and providing opportunities to measure their success, both scholars and industry professionals will have a clear and robust vocabulary in discussions of these key marketing paratexts. This book can be used for students and researchers who are interested in media studies, paratextual studies, publishing, internet studies, postcolonial studies, and popular fiction studies.

This book examines the concept of smart cities in the context of the UN's sustainable development goals, through three Mediterranean port cities. It draws on the case studies of Dubrovnik (Croatia), Limassol (Cyprus), and Valletta (Malta), three smart cities on the Mediterranean that are important tourist cruising destinations; cities in small European states that are members of the EU; with sites on the UNESCO World Heritage List; important tourist cruising destinations with global recognition; promoted as safe tourist destinations; and locations for popular films and series. It analyses the three cities and assesses their success in achieving their goals of becoming inclusive, safe, adaptable, and sustainable.

Based on extensive fieldwork and backed by big data qualitative analysis, the volume will be of great interest to professionals, scholars, and researchers of environment and sustainability, built environment, and urban studies.

As digital technologies become more pervasive and powerful, they raise increasingly pressing ethical questions that need to be understood and addressed.

This book provides an accessible introduction to the important field of digital ethics. It explores topical examples of ethical problems created by the technology and shows how ethical ideas and values can be used to make sense of them. It provides the readership a clear, well-researched insight into the various issues under the banner of 'digital ethics', including how each of these issues relates to different technologies such as AI, smartphones, and automated decision-making (to say the least). This is coupled with contemporary ideas on ameliorating ethical harm and risk, which are grounded in philosophical thought, presented in an accessible way.

The book will benefit those who design and implement digital technologies and, more broadly, anyone with an interest in the compelling ethical and social issues arising from digital technologies. It carefully and clearly describes the philosophical ideas as well as technical considerations behind contemporary digital technology use, to provide the reader with a solid footing for further exploration of this rapidly expanding field.

Bringing together the most prestigious writings on culture and inclusion in sport and physical activity from the International Society of Sport Psychology's flagship journal, the International Journal of Sport and Exercise Psychology, this volume provides an essential reference for the field.

Beginning with a global position stand from the International Society of Sport Psychology (ISSP) that provides a background on the impact and relevance of the subject area, this book includes both conceptual and empirical contributions. Carefully selected for their popularity and influence on the field, the chapters in this volume are international in coverage and authorship. Each chapter has been closely updated to ensure its relevance to current research and maintain its position as a piece of the state-of-the-art scholarship, and it includes material on practical utility to appeal to both scholars and practitioners. This book concludes with a discussion of key takeaways from the preceding chapters and suggestions for future opportunities.

Endorsed by the Society's Academy of Science, this volume is an authoritative series of writings on culture and inclusion in sport and physical activity. This book is a key resource for graduate students, scholars, and professionals in sport and exercise psychology.

Silence and Society addresses the reality that social sciences have ignored the importance of silence in human communication. Without communication, there is no community and thus no society. Yet, as classic communication theory explains, communication must always deal with noise. Increasingly, as cyber-technologies and media have gained the upper hand in social life, so have they become purveyors of empty noise-from mindless sitcom television to uninformed talk radio to cable news blather and more.

The book is organized into three sections, each corresponding to a level of social order. Each bears a distinctive relation to the general problem of silence and noise in human community. "Part One: Social Facts of Silence" presents examples of the ways silence intrudes on vital aspects of human life: in personal self-understanding, in the irony that direction communication requires a third absent party (such as Goffman's ego identity), in the fact that personal identity is the challenge of dealing with the trouble of deciding who we are in a given social setting. "Part Two: Noise, Dreams, and Identity Confusions" considers a range of community issues from the strange noises of quiet neighborhoods to the way the necessity of social conformity silences individual autonomy, to the fact that the dead are ever present in daily language and behavior, especially in common religious practices. Finally, "Part Three: Waste, Death, and the Beyond of Time" suggests the principal ways the growing global environment aggravates human inequality-by forcing the poor into zones of exclusion, by increasing the mountain of human waste that in turn wastes human lives, by the extent to which global theories and programs for economic development are little more