Media psychologist Eric Rasmussen explores the vital role of parents in empowering children to make media choices that promote their well-being.

Rasmussen challenges prevailing assumptions about human nature in a way that pushes the broader field of human communication and its disciplinary offspring, children, and media beyond the bounds of current dominant paradigms. Media Parenting reviews past empirical findings, advocates for media parenting's reconceptualization, and proposes a research roadmap leading to a more enriching, theoretical understanding of the dynamic interactions between parents, children, and media.

The Animate World: Posthuman Ontologies argues for the necessity of a post-humanism grounded in a vital ontology, in contrast to the nihilist ontological positions and assumptions of a range of existing post and anti-humanisms.

Still, the book affirms both the normative imperative and technological tendency that humanism is unsustainable and that technological developments are cumulatively pointing towards a surpassing of the human, conceptually and physically. Based in process philosophy, the post-human ontology is offered as an alternative philosophical grounding for post-humanism for an ethics and politics of ecological flourishing rather than exploitation of nature. Sean Watson critiques the existing nihilist ontological approaches to the post-human, which he argues are complicit with neoliberal, digital capitalism and its ideological justifications. In doing so, he conceives of an ontology of generative ethics and politics, capable of addressing the overwhelming accumulation of crises that Bernard Stiegler identified as the destruction of the future.

This book offers a bold reinterpretation of monogamy, framing it not as a reflection of romantic desire but as a calculated effort to secure exclusivity from a partner.
Despite widespread dissatisfaction, infidelity, and high divorce rates, monogamy remains the dominant relationship model. Rather than attributing this persistence to irrationality or tradition, James K. Beggan explores monogamy as a defensive practice-a strategic agreement in which individuals seek commitment primarily to ensure their partner's fidelity. Rooted in fear of loss, jealousy, and emotional insecurity, this book reveals how monogamy often functions as a protective mechanism rather than a mutual aspiration. People overestimate their ability-or willingness-to uphold monogamous commitments, viewing them less as personal convictions and more as tools for managing risk. Drawing on interdisciplinary research across behavioral economics, psychology, sociology, and decision science, this book reconceptualizes monogamy as a form of social bargaining. By shifting the focus from morality to strategy, it challenges the ideal of romantic exclusivity and raises a provocative question: Are declarations of loyalty expressions of love, or are they evidence of doubt dressed as devotion?

This book, now in its second edition, examines youth citizenship and activism in the twenty-first century. When young people are encouraged to enact 'active citizenship' through education and popular culture, and yet also risk arrest when engaged in certain forms of dissent, how do we account for the contradiction? Kennelly gets to the center of these issues as she explores the challenges of being young and politically engaged. In the new edition, she brings her original rich ethnography of young activists organizing across Canada into conversation with the past decade's burgeoning literature on youth activism and the major youth-led movements that have occurred since the first edition was published, including Black Lives Matter and Student Climate Strikes. The book also features a foreword written by prominent scholar of democratic education Dr. Joel Westheimer, as well as an afterword penned by emerging scholar and young activist Dr. Cihan Erdal.

America has long prided itself on being a meritocracy in which people have access to the same opportunities and resources in their efforts to build rewarding and financially secure lives for themselves and their families.

However, the USA has historically been a nation in which some sectors of the population have enjoyed advantages over others by virtue of their favored race, ethnicity, gender, religious beliefs, sexual orientation, physical attributes, or socioeconomic background.

How impactful have those privileges been in shaping current cultural, political, educational, and economic environments in the USA? This book explores that question and many more, using an approach that studies the question of privilege from a variety of illuminating perspectives. The book's opening chapters summarize the social, political, and economic evolution of privilege in the USA and discuss flashpoints of controversy and debate. Additional chapters provide personal essays from scholars and historically disadvantaged Americans, a selection of informative primary sources, an annotated bibliography of sources for further study, and a glossary of terms.

This book seeks to make sense of competing ideas about misinformation, by setting out a post-critical discourse analysis of the ways in which it is framed, relative to both adjacent and antecedent concepts - including fake news, disinformation, bullshit, conspiracy theory, propaganda, post-truth politics, hoaxing, rumour and gossip. Is misinformation an existential threat to modern life, or is it merely a symptom of an anxious age? To answer this question, it is first necessary to understand how the phenomenon is conceptualised. Researchers and experts from a wide range of disciplines have long grappled with the problem of misinformation; but they do not always make use of the same lexicon when it comes to describing it. This book makes use of the TATI multilevel discourse method, an approach developed by the author, to make sense of some common ways in which the concept is discussed. For some, misinformation is a concept best understood as a Theory that provides an alternative explanation for newsworthy (and often contested) political and cultural events. For others, it is an Aesthetic form (or a form of spectacle) arising not from the distribution of lies as such, but rather from the very subversion of reason itself. Some see it is a Tool; false information that is instrumentalised to sow discord, or to acquire financial return. Alternatively, some see it more as an expression of Ideology; a function of the power structures that invisibly shape our lives. These discourses overlap, and indeed, it is not uncommon to find in any given opinion on misinformation, the presence of more than one of these discourses, each serving a particular rhetorical end. The emphasis in these discursive patterns in what people say about misinformation, this book concludes, may help us to identify some new ways of thinking about misinformation, best understood visually, as representing either 'thick' or 'thin' manifestations of the form.

This innovative volume demonstrates the embodiment of time to be a vital part of the aesthetic experience of cinema. Analysing a broad range of films including Beasts of the Southern Wild (USA, 2012), Talk to Her (Spain, 2002), Millennium Actress (Japan, 2001), Jab Tak Hai Jaan (India, 2012), and Jinpa (China, 2018), contributors examine key questions of embodied time as represented on screen. They explore how cinematic time can be a way of rethinking the centrality of the individual, of depicting gendered differences, of decentring western perspectives to represent a widened global context, and of expanding what embodiment means in post-human narratives. The volume not only highlights specific discourses of radical, lived experience in film, but also considers how distinctions of race and class, gender and sexuality, migration, religion, and indigeneity affect these depictions of embodied subjectivity.

Contributors:
Emma Ben Ayoun, Louis Bayman, Andres Buesa, Mariana Cunha, MaoHui Deng, Felipe Espinoza Garrido, Victor Fan, Sahika Erkonan, Joseph Jenner, Nick Jones, Kayla Meyers, Salma Monani, Davina Quinlivan, Francesca Sobande and Pinar Yildiz

This study examines the production of popular Chinese reality television, complemented by interviews with a broad range of practitioners including newcomers, contractors, and migrant workers, all of whom form the industry's backbone.

Tianyu Zhang draws on first hand experiences across six television productions, providing exclusive insights into institutional dynamics and interpersonal relationships. She examines popular television series like Win the Bill (2013-) and Waiting For Me (2014-), uncovering concealed narratives of precarious production that shape Chinese television.

She goes on to examine regulations impacting the broader labour market, including unsupportive national policies, social welfare systems, unhealthy work values, and the absence of trade unions, considering how these impact the television industry. Spanning a spectrum of media landscapes, from state-owned giants like China Central Television (CCTV) to provincial outlets and independent production houses, this comprehensive study captures the essence of Chinese reality TV production.

On the evening of 26 January 1926, inventor John Logie Baird held a public demonstration in his workspace on London's Frith Street of a 'seeing by wireless' apparatus that he and many others had been working towards, television. In the years that followed, variants of this astonishing device produced programming that was rich, complex and excitingly imaginative. Familiar television genres, including studio drama, quiz shows, variety spectaculars and sports broadcasts, were all fully realised in the 1930s. At the same time, early television was often strikingly different from later domestic broadcasting.

Television began with intimate entanglements with interwar cinema, theatre, music and dance. And, despite reaching only tiny audiences, from its beginnings television responded to key strands of social history, embracing legacies of the Great War, changing roles for women, suburban living and more.

Magic Rays of Light is a unique and comprehensive cultural history of early television, exploring its technologies and institutions, while also celebrating the programmes and the people, the ideas and the innovations of the first decade of what would become the most consequential medium of the subsequent century.

This book delves into the world of "fandom nationalism," where the lines between fan devotion and nationalistic fervor blur within the East Asian media landscape.

Taking a non-Western perspective in fan studies, this book challenges conventional understandings of fandom nationalism. While the concept usually describes how citizens passionately adore their nation akin to idolizing celebrities, this ground-breaking research adds a captivating twist: such passion encompasses not only the expressions of love fans shower upon their idols but also the intense hatred anti-fans direct towards stars - fans strategically employ nationalism as a weapon to win fan wars. This enriches the concept of fandom nationalism, exploring how fans use participatory censorship practices to accuse celebrities and their followers of problematic political stances, thereby channeling collective nationalist anger to exact revenge on despised celebrities, such as Zhang Zhehan, a Boys' Love drama actor who was banned by the authorities and the industry for taking photos at the Yasukuni Shrine in Japan.

Through a thorough review of relevant literature and detailed fieldwork data, this book reveals how fans and anti-fans participate in various stages of the banning process, leading to the career downfall of top stars in China. This brutal battleground, akin to cancel culture, is a product of the collusion among fans, netizens, the party-state, media platforms, and businesses, where fans' participation in nationalist practices can also be performative patriotism, driven by the desire to protect their idols and themselves. Using examples from China and beyond, Fandom Nationalism explores the relationship between fandom and the state more broadly.

A radical assessment of the racial motives underlying the conception of photography and cinema

Conventional histories have long traced the origins of photography and cinema to the goal of reproducing the visible world. Black Light offers a radical counter to this understanding. Investigating the optical, cosmological, and racial thought that surrounded their conception, Christophe Wall-Romana argues that these media developed out of a desire to visualize what cannot be seen.

Taking as its starting point the concurrent invention of the telescope and industrialization of the transatlantic slave trade, Black Light shows how photography and cinema are entangled with two key preoccupations of the Enlightenment: visualizing the mysteries of the cosmos and managing Blackness. Wall-Romana uses literary and technological sources to demonstrate how racial and astronomical thinking interwove throughout the long development of our modern visual media. Retracing the impulses behind nonmimetic photoimaging and dynamic modeling, he exposes the racial underpinnings of research on photosensitive compounds such as silver nitrate and the racist lenses applied in post-Copernican cosmology.

Black Light charts the pivotal period from the seventeenth through the nineteenth century when Europeans were reckoning with "multiple worlds" and natural philosophy was giving way to "mechanical objectivity." Wall-Romana shows how engagement with the nature of light was always entangled with racist discourses on Blackness - especially after the 1801 discovery of the invisible spectrum and its paradox of "black light." Deprovincializing media archaeology, this book presents a groundbreaking historical framework with which to reenvision our dominant modes of seeing and understanding the world.

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What exactly is a credit hour? What's an elective course and why should you care? What's the secret to studying for tests?

Compact and to-the-point, this is an easy-to-use guide to everything first-year students really need to know about how college works. The first part of the book helps to demystify the academic system. Easy to read bite-sized chapters cover topics such as understanding the college course structure, adding and dropping courses, understanding grading systems, pre-registration and scheduling, and attending class. Part 2 introduces the knowledge and tools students need to succeed at college, including time management, critical thinking, test-taking skills, and writing papers. The final part of the book gives guidance on taking care of your physical and mental health, and looks at goals and career planning. It also features a dedicated chapter which is geared to the needs of commuter students.

Each chapter features opportunities for the reader to pause and reflect on how the content applies to their own situation and experience. Chapters end with a list of questions which encourage students to consolidate their learning and identify the relevant policies and supports at their own institution.

This book offers an interdisciplinary exploration of the identity-forming interplay between text, textiles, and skin in and through film. Its central thesis proposes that film, through the oscillation between textiles and bare skin, creates iconic condensations that open up an associative space of experience. In this process, the material-both narrative and textile-gives way to the sensual, to affective engagement through the skin.

The study examines the relationship between cinematic reception and the self-reflection of viewers, as well as of society and film itself within their respective historical contexts. Viewers not only experience the events and protagonists but also encounter themselves in the mirror of the Other-the other character, the other story, the other cinematic world. The aim is to look beneath symbolic coverings and uncover what lies beneath.

Thanks to its interdisciplinary approach, the book appeals not only to those interested in film, media, and cultural studies, but also to readers from sociology, psychology, (fashion) design, art history, and architecture. It encourages shifts in perspective and interdisciplinary dialogue grounded in the existential significance of skin for all of us. With this unique focus, it transcends boundaries and fosters collaboration.

This book presents a visionary and comprehensive exploration of how museums are adapting to the evolving demands of contemporary society. It highlights the multiple roles museums play, as cultural institutions, educational spaces, social actors, and agents of innovation, while addressing the multifaceted challenges and opportunities museums face. Providing readers with a thorough understanding of their transformative potential, the book adopts a forward-looking perspective on the role of museums in shaping the future. Underpinning this vision is a reflective and critical stance, exploring and emphasizing how such transformation can happen in meaningful and sustainable ways.

Bringing together the work of international scholars, this book investigates the well-known conceptualization of poison as connected to seemingly contrasting ideas of 'deviousness', 'insidiousness' and 'usefulness,' demonstrating how these understandings manifest in a variety of culturally informed discourses and narrative contexts across popular culture.

Taking an interdisciplinary and transnational approach, contributors to this volume consider poison as a powerful metaphorical entity that recurrently appears across narrative formats and contexts, including film, television, comics, video games, children's literature, and boardgames. Through both historical and fictional accounts - which are explored in equal terms as part of the same cultural narrative - this book re-assesses the place occupied by poison in the popular imagination, establishing its presence as one that is simultaneously nefarious and culturally romanticized. Contributors demonstrate how discourses of poison in popular culture are often interconnected with representations of gender, ethnicity, class, cultural identity, and environmental discourses on an intersectional level.

Ultimately, through its recounting of tales about poison and poisoners, this book also reveals parallels to some of the deepest narratives about our societies, both historic and contemporary: what we fear, what we desire, and how we see ourselves at a specific moment in time.

There's far more to Italian food than pasta and pizza. Discover the history and culture of Italy through its rich culinary traditions.

Part of the Global Kitchen series, this book takes readers on a food tour of Italy, covering everything from daily staples to holiday specialties. In addition to discovering Italy's long culinary history, readers will learn about recent trends, foreign influences, and contemporary food and dietary concerns. Chapters are organized thematically, making it easy to focus in on particular courses or types of dishes. These include influential ingredients, appetizers, main dishes, desserts, and street food, among others. The main text is supplemented by sidebars that offer interesting bite-sized facts, a chronology of important dates in Italian culinary history, and a glossary of key food- and dining-related terms.

Italian cuisine boasts a rich history, evolving from ancient Roman fare and influenced by ingredients from other European cultures and the New World. While outsiders may think of Italian food as a monolith, there is actually great regional diversity. Characterized by its simplicity, Italian food emphasizes fresh, high-quality, seasonal ingredients, often with just a few key components in each dish. The Mediterranean diet forms the base, featuring pasta, fish, fruits, vegetables, cheese, and wine, with olive oil as a constant staple. Foodways in Italy extend beyond mere sustenance, deeply intertwined with family, tradition, and social experiences.

The first scholarly volume on Emilie Du Chatelet's philosophy highlights her novel contributions to metaphysics, philosophy of science, and ethics.

As an understudied figure in the history of early modern philosophy, this volume re-positions her thinking alongside philosophical predecessors like Leibniz, Newton, Wolff, and Voltaire, as well as considering her own influence in the decades and centuries after her death.

Established and emerging scholars of early modern philosophy cover all aspects of Du Chatelet's philosophical work including her metaphysical views on the Principle of Sufficient Reason, the Principle of Contradiction, and natural theology, as well as her writings on epistemology, space and time, philosophy of mathematics, freedom, imagination and happiness. By positioning Du Chatelet firmly within the history of philosophy and the philosophy of science, Fatema Amijee's edited volume contributes to the renewed scholarly attention on early modern women philosophers. Essential reading for students and scholars of early modern philosophy, history of science, philosophy of science, and feminist philosophy, this go-to text on Du Chatelet marks a new era of scholarly attention for a formerly neglected figure.

Norwegian cuisine, deeply intertwined with the country's dramatic landscape and long winters, reflects Norway's rich history and culture.

Part of the Global Kitchen series, this book takes readers on a food tour of Norway, covering everything from daily staples to holiday specialties. In addition to discovering Norway's long culinary history, readers will learn about recent trends, foreign influences, and contemporary food and dietary concerns. Chapters are organized thematically, making it easy to focus in on particular courses or types of dishes. These include influential ingredients, appetizers, main dishes, desserts, and street food, among others. The main text is supplemented by sidebars that offer interesting bite-sized facts, a chronology of important dates in Norwegian culinary history, and a glossary of key food- and dining-related terms.

Norwegian cuisine, influenced by the country's climate, has historically relied on the preservation of food, leading to a strong emphasis on cured, dried, and pickled ingredients. Rooted in the readily available resources of the land and sea, traditional Norwegian food features game meats like reindeer and elk, freshwater and saltwater fish such as salmon, cod, and herring, and simple preparations that highlight the quality of these ingredients. Dishes often incorporate potatoes, dark rye bread, root vegetables, and dairy products like sour cream and cheese. Norwegian foodways are characterized by practicality and resourcefulness, with home-cooked meals being central to family life. While modern Norwegian cuisine has embraced global influences, traditional dishes remain important, often enjoyed during festive occasions and reflecting a deep connection to nature and the changing seasons.

This book closely reads Mark Gruenwald's Squadron Supreme for its complex, contradictory, yet ultimately productive engagement with the social dreaming of utopianism. Specifically, Squadron Supreme provides critical traction for readers to engage with the social dreaming of utopianism by asking how it depicts the pursuit of a radically alternative society, at what cost, and whether that cost is worth paying. These questions fuel the utopia problematic, which, in turn, points to the productive tension in Squadron Supreme. By extension, Squadron Supreme's commitment to the utopia problematic also provides opportunities to think through utopia and the state of exception, labor in the condition of epivitality, the tension with ends justifying the means, and the persistent resilience of an anti-utopianism that increasingly defines the United States' contemporary socio-political landscape. While this book focuses on the social dreaming of utopianism as the core thread uniting the chapters of Mark Gruenwald's groundbreaking series, it also provides access points to several theoretical and critical topics to further unpack the series.

In Critical Approaches to Transmedia Storytelling in K-Pop, contributors present a variety of compelling case studies to argue that K-pop has evolved beyond a musical genre into a global cultural phenomenon with a growing influence on contemporary media practices, highlighting its transmedia ecosystem in which complex narratives unfold and engage audiences across formats and platforms.

An impressive roster of contributors assembled by editor Nicholas E. Miller explore how different artists and companies within the industry have constructed expansive storyworlds through a variety of media to draw fans into participatory, interpretive engagement. These analyses cohere to demonstrate how the narrative universes of K-pop have transformed cultural boundaries, industry economics, and global fan culture by strategically employing non-traditional elements and technologies that establish collaborative meaning-making and emotional investment as the basis of compelling fan experiences. As a result, this volume positions K-pop's transmedial approach as not merely a marketing strategy, but as a sophisticated artistic framework which redefines the relationship between music, narrative, and performance in the digital age.

Leveraging Today's Social Media: Its Role in School District Improvement and Success chronicles the experiences of two superintendents, Mark Benigni and Jeff Solan, as they navigate the challenges and opportunities of social media in their respective school districts. Acknowledging the concerns surrounding online safety and digital citizenship, the authors emphasize the crucial role of education in empowering students to thrive in the digital age.

Explore how schools can leverage social media to enhance student learning, from showcasing student work and facilitating college connections to improving communication with families and fostering community engagement. It provides practical guidance on implementing digital citizenship programs, developing appropriate social media policies, and harnessing the power of online platforms for recruitment, professional development, and operational efficiency.

Through their shared insights and real-world examples, Benigni and Solan offer a valuable resource for educators seeking to navigate the complexities of social media and unlock its potential to transform teaching and learning. They encourage exploring social media's potential in various school functions before jumping on the "ban" wagon.

Individuating action depends upon how people comprehend value judgements about the consequences of an action to distinguish-or not to distinguish-between them.

The question "what is action?" cannot be fully addressed until it is established whether two action descriptions-whether in law, business, insurance policies, or ordinary conversation-refer to the same or different actions. This book approaches the problem of action individuation by arguing for a variantist account, where the moral valence of the consequences of an action plays a foundational role in distinguishing between actions. Actions with bad consequences are associated with the originating act from which the action arises; actions with positive consequences are separate from their originating act. When we consider whether a bad or good consequence is identical to an originating action, the normative valence of the consequences of the action matter. Drawing from an empirical assessment that tests non-philosophers' intuitions about individuating actions, along with real-world examples, Joseph Ulatowski explores the practical and philosophical significance of how we distinguish between actions.

This book explores the challenges and opportunities that arise when high-tech innovation crosses cultural boundaries-and how it can be thoughtfully adapted before reaching the end user. Drawing on a real-world case of a European Virtual Reality (VR) training system prepared for deployment in Malaysia's aerospace sector, this book investigates the cultural and cognitive translations necessary to ensure any design tool's success in a new context. Rather than documenting failure, it offers a blueprint for preventing it-by listening, adapting, and designing with local realities in mind. Drawing from ethnographic research, interviews, and human-centered design principles, this book explores the concept of anthropotechnology, aligning technology with local learning habits, social dynamics, and cultural expectations. It introduces the concept of the Anthropotechnological Islet, a bridging structure that enables imported systems to fit meaningfully into different environments before they are operationalized. The Islet is not a compromise between systems but a generative space for innovation that fosters cross-cultural adaptation and learning. This book is both a research monograph and a design manifesto. It tells the story of how a VR tool was reshaped-not just through technical refinement, but through cultural insight, institutional collaboration, and cognitive empathy. It offers practical guidance for those working in training, design, and technology transfer, especially in transnational or cross-cultural settings. In an increasingly globalized world, this book invites readers to rethink how we design for difference-early, intentionally, and with respect for local ways of knowing and learning.

This book develops a detailed account of the emergence of world histories from the discontinuous, stochastic micro dynamics of Tychistic Bohmian Mechanics (TBM). TBM is a non-relativistic quantum theory. It results from excising the guiding equation from standard Bohmian Mechanics (BM) and reinterpreting the quantum equilibrium hypothesis as a stochastic guidance law for the random actualization of configurations of Bohmian particles. The author introduces worlds, and world histories, as key concepts in providing a link between TBM's micro dynamics and macroscopic phenomena. Worlds, other than Barbourian time capsules, are coarse-grained regions in phase- or configuration space, defined as sets of possible micro states satisfying a relation of sufficient similarity from a macroscopic perspective, with respect to a given micro state. Hence, worlds may overlap. By providing a detailed explanation of how overlapping worlds in TBM form world histories, an account of how macroscopically distinct worlds are linked to each other is provided. Thus, the problem of temporal solipsism is resolved in a way that is compatible with a more than minimal psychophysical parallelism. This book is of interest to researchers and students in the philosophy of science, in particular the philosophy of physics, but also to metaphysicians. It is especially valuable to scholars working on the issue of interpreting Quantum Mechanics and exploring the field of possible interpretations and alternative theories.

A vital guide to centering community knowledge to generate effective solutions to inequality

When organizations take on social problems, from school reform to conservation to healthcare disparities, community members are sometimes "invited to the table" to share their insights. But if the table has already been set with institutional assumptions about the issue at hand, the solutions that emerge often have little to do with the people and places they are meant to help. When this is the case, inclusion can only go so far: as Dr. Brittany Lewis argues, it's time to build a new table.

Drawing on her work as a community researcher and nonprofit consultant, Dr. Lewis developed the Equity in Action (EIA) model as a framework for closing the gaps between communities, researchers, and institutions. By centering the knowledge of the community members who ostensibly benefit from the work of various organizations, EIA makes research questions more relevant and the research process more targeted, getting at the roots of social inequality to find sustainable, impactful solutions. In Building a New Table, Dr. Lewis guides readers through the steps of EIA: assessing the landscape, building the community action council, co-developing a research approach, data collection, community review, and identifying solutions. Along the way, she highlights the values imbued in each step and the skills needed for success as well as how the model can be adapted for different organizations.

Practical and hands-on, Building a New Table explores each phase of the Equity in Action model through case studies featuring commentary from organizational leaders and staff who have used it to reshape their engagement with the communities they serve. Demonstrating how to ground solutions in lessons from lived experience, this book teaches how authentic community engagement and community-driven research creates reciprocal, generative relationships that can enact real, systemic change.

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This open access collection gathers thinkers, media practitioners, scholars, and artists to bring attention to how our relational selves, lives, and lifeworlds emerge within a range of digital platforms, media environments, creative media practices, and performances to probe what it means to become subjective by evolving in and with a world of relational technologies.

As biometric artificial intelligence, datafication procedures and algorithms increasingly saturate and reconfigure human and more-than-human realms, technologies, and selves co-evolve in deepest relationality. Nearly every form of existence has today become subject to computational harvesting and utilization. This renders our relations with technologies-those we actively compose and those that are forced upon us-ever more complex and inconceivably entwined.

Topics covered in this collection include: face monitoring and modelling practices, quantified applications, writing techniques, biometric identifications of age and health, AI informed decision making, biohacking, voice recognition, social media, and algorithmic cultures of datafication. The overarching motivation is to generate new forms of understanding, but also "counter-measures" for negotiating this relational condition existentially, socially, and artistically. Thus, offering a unique contribution to the debates on data selves, Relational Technologies provides manifold possibilities for a co-existentialist understanding of technological developments of datafication and biometrics. This way the volume brings posthumanist critique into conversation with the young field of existential media studies, in search of new inflection points of change and transformation through new modes of knowing, reflecting, and crafting media futures of relationality.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Marianne and Marcus Wallenberg Foundation.