During the 1940s, Greece experienced some of the most significant moments in the contemporary history of the country, defining the socio-political environment to this day. Greece in the 1940s presents a deep dive into this time in history, as seen through digital media, films, journalism and art.

Considering the impact of the 1940s on influencing and polarising Greek political culture to this day, this edited volume brings together academics, researchers, and practitioners to investigate historical continuities and discontinuities in the public discourse and the creation of diverse sets of opinions around conflict in Greece and internationally. The chapter authors explore the construction of collective memory through different forms of media, concentrating on some of the most significant historical events of contemporary Greek history.

Different forms of media contributing to the construction of public discourse and collective memory are explored, including films, digital media, journalism, art, memory, and the representation of the 1940s, offering a comprehensive study of the digital history and development of Greece.

Across the United States, groups of grassroots volunteers gather in overgrown, systemically neglected cemeteries. As they rake, clean headstones, and research silenced histories, they offer care to individuals who were denied basic rights and forms of belonging in life and in death. Cemetery Citizens is the first book-length study of this emerging form of social justice work. It focuses on how racial disparities shape the fates of the dead, and asks what kinds of repair are still possible. Drawing on interviews, activist anthropology, poems, and drawings, Adam Rosenblatt takes us to gravesite reclamation efforts in three prominent American cities.

Cemetery Citizens dives into the ethical quandaries and practical complexities of cemetery reclamation, showing how volunteers build community across social boundaries, craft new ideas about citizenship and ancestry, and expose injustices that would otherwise be suppressed. Ultimately, Rosenblatt argues that an ethic of reclamation must honor the presence of the dead-treating them as fellow cemetery citizens who share our histories, landscapes, and need for care.

Featuring contributions from leading scholars in the field, this book not only conceptualises ethno-nationalism, but also details its effects. From Islamophobia and racism in Europe and North America, to xenophobia in China and South Africa, the book critically examines the many forms of discursive and material exclusions that exist across the globe. Rejecting a simple framework that links the supposed rise of ethno-nationalism to the limits of neoliberalism, it instead argues that nationalism and neoliberalism may in fact be combined. It also considers how this leads to discourses, policies and practices of differential inclusion and exclusion, and vice versa.

International and multidisciplinary in scope, Migration and Nationalism will be a beneficial read for academics, researchers and students in politics and public policy, geography, sociology and social policy, urban and regional studies, and development studies. It also will be of benefit to policymakers within these fields.

Transgenerational Technology and Interactions for the 21st Century explores how we as humans navigate the 21st Century, interacting with technologies, including those that are intended to support and enhance our experiences across the lifespan. This manifesto, composed with humanity at the front and centre, pinpoints succinctly the critical considerations of people, technology and inequalities intersecting across our 21st century ecosystems.

With a special focus on bridging interdisciplinary research, creative and co-production approaches, the authors explore and present cutting edge discourse, building on previous research to form contemporary and inform future awareness and strategies to societal experiences. The authors argue that it is time to re-evaluate how we move forward in a multi-faceted society, with the ever growing reliance of technology but yet many voices are not heard, left behind or not even considered.

This creative and collaborative response is suited to researchers, academics, designers, industry and stakeholder professionals who have an interest the fields of technology, design, sociology and innovation.

Socialism has been an influential force for social change for almost two centuries. Its philosophy and ideology have inspired millions while simultaneously arousing fear and revulsion in its enemies. Having emerged after the French Revolution in the effort to build upon and develop the egalitarian ideas of the Enlightenment, socialism has taken many forms. It has, furthermore, sometimes been manipulated and reformulated by opportunists who have built authoritarianism and totalitarian dictatorships in its name. Opponents seize on such examples to frighten away people who may otherwise have found socialism attractive. Socialism has survived such criticism and misrepresentation as its core principles have struck a chord with generations of people concerned with social justice.
Historical Dictionary of Socialism, Fourth Edition contains a chronology, an introduction, a glossary, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on activists, politicians, political thinkers, political parties and organizations, and key topics, concepts, and aspects of socialist theory. This book is an excellent access point for students, researchers, and anyone wanting to know more about socialism.

Chapters span disciplinary boundaries, covering both computer science and AI, as well as sociology and psychology, to encompass all aspects of social computing as an emerging field. They also examine the complexity of social networks and algorithmic decision-making whilst drawing on case studies from diverse industries and exploring important issues, such as the ethical implications of AI, data privacy regulation, and safe data sharing. Ultimately, this Handbook illustrates the diverse ways in which digital technologies can be used to analyze social behavior, recognise individual and group interaction patterns, and improve daily life.

Providing a comprehensive overview of the latest developments in social computing, this Handbook will be an essential read for students and scholars of human dynamics, social network analysis, and sociology. It will also be an invaluable guide for professionals seeking a deeper understanding of how technology can be used to analyze social dynamics.

Influencers are more than social media personalities who attract attention for brands, argue Grant Bollmer and Katherine Guinness. They are figures of a new transformation in capitalism, in which the logic of the self is indistinguishable from the logic of the corporation.

Influencers are emblematic of what Bollmer and Guinness call the "Corpocene": a moment in capitalism in which individuals achieve the status of living, breathing, talking corporations. Behind the veneer of leisure and indulgence, most influencers are laboring daily, usually for pittance wages, to manufacture a commodity called "the self"-a raw material for brands to use-with the dream of becoming corporations in human form by owning and investing in the products they sell. Refuting the theory that digital labor and economies are immaterial, Bollmer and Guinness search influencer content for evidence of the material infrastructure of capitalism. Each chapter looks to what literally appears in the backgrounds of videos and images: the houses, cars, warehouses, and spaces of the market that point back to the manufacturing and circulation of consumer goods. Demonstrating the material reality of producing the self as a commodity, The Influencer Factory makes a crucial contribution to our understanding of contemporary economic life.

In this ambitious work, Collin Jennings applies computational methods to eighteenth-century fiction, history, and poetry to reveal the nonlinear courses of reading they produce. Hallmark genres of the British Enlightenment, such as the novel and the stadial history, are typically viewed as narratives of linear progress, emerging from Britain's imperial growth and scientific advancement. Jennings foregrounds Enlightenment links: the paratextual devices, including cross-references, footnotes, and epigraphs, that make words work differently by pointing the reader to places inside and outside the text. Writers and printers combined text and paratext to produce nonlinear paths of reading and polysemous forms of reference that resist simple, causal structures of experience or theories of mind. Alexander Pope, Adam Smith, Ann Radcliffe, and other writers developed genres that operate diagrammatically, with different points of entry and varied relationships between the language and format of books.

Revealing the eighteenth-century genealogy of the digital hyperlinks of today, Enlightenment Links argues that emergent print genres combined language and links to bring forward the associative, circular, and multi-sequential ways in which literature makes language work.

Archaeological evidence and ethnohistoric accounts document ancient groups from around the world intentionally binding their infants' head in one of two manners. Soon after birth they would either strap hard, flat devices (e.g., boards) to both the front and back of the infant's head, or wrap tight bandages (e.g., cords) around the head. The result is a permanently modified, adult head.

In Boards and Cords, bioarchaeologist and skeletal biologist, Tyler G. O'Brien, explores the long-practiced, biocultural phenomenon of intentional cranial modification via an anthropological lens. An introductory chapter offers briefly summarized answers to main questions often asked about cranial modification. The book then covers normal cranial growth and development to set the groundwork for understanding better how scientists interpret abnormally shaped pathological skulls from those that are modified. What follows is a thorough exploration of archaeological evidence and ethnohistoric accounts beginning with the earliest modified skulls, found at sites dating back 20,000 years, and continuing to today's modern-day use of the cranial orthotic helmet as corrective treatment for infants with deformational plagiocephaly.

This book is a valuable multidisciplinary tool for the student and scholar who wants to read a global account of intentional cranial modification.

In a nation lacking a comprehensive social safety net, people often scramble to find private solutions to structural problems. While existing scholarship primarily focuses on how adults, particularly mothers, navigate systematic gaps in social support, Language Brokers shifts our attention to bilingual children securing crucial resources for their families. Drawing upon interviews with working-class Mexican and Korean American language brokers, as well as healthcare providers, and months of participant observation in a Southern California police station, Hyeyoung Kwon reveals how children of immigrants translate more than simple verbal exchanges.

Living at the intersection of multiple forms of inequality, these youth creatively use their in-between status to resolve structural problems to ensure their families' basic citizenship rights are upheld in interactions with teachers, social workers, landlords, doctors, and police officers. In an era of widespread racialized nativism, Language Brokers provides a critical examination of American culture, laying bare the contradictions between the ideals of equality and the exclusion of immigrants. Kwon underscores that dichotomous and racialized understandings of "deserving" and "undeserving" immigrants-which are embedded in everyday interactions and institutional practices-inform the routine ways in which immigrant youth attempt to cultivate belonging for their families.

Drawing across Games Studies, Childhood Studies, and Children's Literature Studies, this book redirects critical conversations away from questions of whether videogames are 'good' or 'bad' for child-players and towards questions of how videogames produce childhood as a set of social roles and rules in contemporary Western contexts. It does so by cataloguing and critiquing representations of childhood across a corpus of over 500 contemporary videogames. While child-players are frequently the topic of academic debate - particularly within the fields of psychology, behavioural science, and education research - child-characters in videogames are all but invisible. This book's aim is to make these child-characters not only visible, but legible, and to demonstrate that coded kids in virtual worlds can shed light on how and why the boundaries between adults and children are shifting.

The weight of constant digital connection is the default condition of working life, home life, and everyday personal life - driving us to engage more with platforms than with people, a new state of constant disconnection that we cannot escape. Overflowing email inboxes, deluges of mobile phone notifications and torrents of social media posts-the flow of communication in its abundance is today's individualized interface for interpersonal and professional practices.

Communication technologies and their use are both the needle and the thread of the wider social tapestry of everyday contemporary life. This ever-changing communication environment is where the neoliberal economic policies of the West and the commercial imperatives of the platform and data-mining industries meet. It is where the contradictions they produce can be felt day-to-day by citizens-turned-users.

How does it feel to live at the pressure points of intersecting economic realities and why does it matter? Drawing on extensive sociological research, Burchell examines how individuals try to manage connection as participation in everyday life and how, on a larger scale, the ever-expanding knowledge, communication, and data-driven economies depend on the very pressures that result from our disparate communication needs. With so much time spent managing the pressures of our communication environment, we often overlook the way media technologies produce systemic tensions that are reshaping how we interact with each other and what we understand to be social connection today.

Governmental entities in the United States have multiple, well publicized failures and challenges when it comes to procuring and integrating new technologies. A quick search will yield a treasure trove of technology procurement and implementation gone wrong. Projects seem to routinely suffer from significant cost overruns, poor fit, and implementation delays. Additionally, while the private sector keeps pace with technology changes and improvements, the government lags behind when it comes to integrating and deploying new technologies.

Technology vs. Government examines why government fails at technology acquisitions, innovation, and implementation, the impact on people, and the future opportunities and implications for government service, administration and policy. Underlying the issues discussed in the book is the question of Generation T, a term coined in this book to define the generation born in 2002 and later. Generation T is the first generation to grow up in a societal technology bubble. Their first response in most situations is to reach for technology. How will they work for and interact with government if government doesn't have the same technology first mindset?

Analyzing the relationship between the government in the US and technological adoption, this volume of Studies in Media and Communications provides lessons and principles that are applicable to governments with western-style democracies or similar forms of administration.

What happens to the experience of community when the grounds of communal life collapse? The Romantic period's upheaval cast both traditional communal organizations of life and outgrowths of the new revolutionary age into crisis. In this context, Joseph Albernaz argues that Romantic writers articulate a vital conception of "groundless community," while following this idea through its aesthetic, ecological, political, and philosophical registers into the present.

Amidst the violent expropriation of the commons, Romantic writers including the Wordsworths, Clare, Hoelderlin, and the revolutionary abolitionist Robert Wedderburn reimagined the forms of their own lives through literature to conceive community as groundless, a disposition toward radically open forms of sharing-including with nonhuman beings-without recourse to any collective identity. Both a poetics and ethics, groundless community names an everyday sociality that surges beneath and against the enclosures of property and identity, binding us to the movements of the earth.

Unearthing Romanticism's intersections with the history of communism and the general strike, Albernaz also demonstrates how Romantic literature's communal imagination reverberates through later theories of community in Bataille, Derrida, Nancy, Moten, and others. With sharp close readings, new historical constellations, and innovative theoretical paradigms, Common Measures recasts the relationship of the Romantic period to the basic terms of modernity.

How is popular knowledge of war shaped by the stories we consume, what are the boundaries of this knowledge, and how are these boundaries policed or contested by journalists producing knowledge from war zones? Based on years of fieldwork in Iraq, Syria, Lebanon, Afghanistan, and Ukraine, Conflicted challenges normative conceptions of war by revealing how representational authority comes to be. Turning the lens on journalists from The New York Times, The Washington Post, The Wall Street Journal, and other prominent publications, Isaac Blacksin shows why news coverage of contemporary conflict, widely presumed to function as a critique of excessive violence, instead serves to sanction official rationales for war.

Blacksin argues that journalism's humanitarian frame-now hegemonic in conflict coverage-serves to depoliticize and remoralize war, transforming war from an effect of policy on populations to a matter of violence against the innocent. Exploring the tension between experience and expression in conditions of violence, and tracking how journalists respond to dominant expectations of reality, Conflicted tells the story of war, reporters, and the consequences of their convergence. As new wars, and new reportage, continue to shape our understanding of armed conflict, this book makes visible both the power and the particularity of war reportage.

Digital spaces are saturated with metaphor: we have pages, sites, mice, and windows. Yet, in the world of digital textuality, these metaphors no longer function as we might expect.

Martin Paul Eve calls attention to the digital-textual metaphors that condition our experience of digital space, and traces their history as they interact with physical cultures. Eve posits that digital-textual metaphors move through three life phases. Initially they are descriptive. Then they encounter a moment of fracture or rupture. Finally, they go on to have a prescriptive life of their own that conditions future possibilities for our text environments-even when the metaphors have become untethered from their original intent. Why is "whitespace" white? Was the digital page always a foregone conclusion? Over a series of theses, Eve addresses these and other questions in order to understand the moments when digital-textual metaphors break and to show us how it is that our textual softwares become locked into paradigms that no longer make sense.

Contributing to book history, literary studies, new media studies, and material textual studies, Theses on the Metaphors of Digital-Textual History provides generative insights into the metaphors that define our digital worlds.

In socialist Eastern Europe, radio simultaneously produced state power and created the conditions for it to be challenged. As the dominant form of media in Czechoslovakia from 1945 until 1969, radio constituted a site of negotiation between Communist officials, broadcast journalists, and audiences. Listeners' feedback, captured in thousands of pieces of fan mail, shows how a non-democratic society established, stabilized, and reproduced itself. In Red Tape, historian Rosamund Johnston explores the dynamic between radio reporters and the listeners who liked and trusted them while recognizing that they produced both propaganda and entertainment.

Red Tape rethinks Stalinism in Czechoslovakia-one of the states in which it was at its staunchest for longest-by showing how, even then, meaningful, multi-directional communication occurred between audiences and state-controlled media. It finds de-Stalinization's first traces not in secret speeches never intended for the ears of "ordinary" listeners, but instead in earlier, changing forms of radio address. And it traces the origins of the Prague Spring's discursive climate to the censored and monitored environment of the newsroom, long before the seismic year of 1968. Bringing together European history, media studies, cultural history, and sound studies, Red Tape shows how Czechs and Slovaks used radio technologies and institutions to negotiate questions of citizenship and rights.

In this book, Brian Lennon demonstrates the power of a philological approach to the history of programming languages and their usage cultures. In chapters focused on specific programming languages such as SNOBOL and JavaScript, as well as on code comments, metasyntactic variables, the very early history of programming, and the concept of DevOps, Lennon emphasizes the histories of programming languages in their individual specificities over their abstract formal or structural characteristics, viewing them as carriers and sometimes shapers of specific cultural histories. The book's philological approach to programming languages presents a natural, sensible, and rigorous way for researchers trained in the humanities to perform research on computing in a way that draws on their own expertise.

Combining programming knowledge with a humanistic analysis of the social and historical dimensions of computing, Lennon offers researchers in literary studies, STS, media and digital studies, and technical fields the first technically rigorous approach to studying programming languages from a humanities-based perspective.

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race.

In The Residential is Racial Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value.

Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block-seeing race like a bureaucrat, an appraiser, and a homeowner-has become central to the functioning of the residential itself.

In 1938, China City opened near downtown Los Angeles. Featuring a recreation of the House of Wang set from MGM's The Good Earth, this new Chinatown employed many of the same Chinese Americans who performed as background extras in the 1937 film. Chinatown and Hollywood represented the two primary sites where Chinese Americans performed racial difference for popular audiences during the Chinese exclusion era. In Performing Chinatown, historian William Gow argues that Chinese Americans in Los Angeles used these performances in Hollywood films and in Chinatown for tourists to shape widely held understandings of race and national belonging during this pivotal chapter in U.S. history.

Performing Chinatown conceives of these racial representations as intimately connected to the restrictive immigration laws that limited Chinese entry into the U.S. beginning with the 1875 Page Act and continuing until the passage of the Immigration and Nationality Act of 1965. At the heart of this argument are the voices of everyday people including Chinese American movie extras, street performers, and merchants. Drawing on more than 40 oral history interviews as well as research in more than a dozen archival and family collections, this book retells the long-overlooked history of the ways that Los Angeles Chinatown shaped Hollywood and how Hollywood, in turn, shaped perceptions of Asian American identity.