文化・社会人類学 — 全 下位分類

This book provides a comprehensive, up-to-date examination of ceramic materials from ancient and pre-industrial Cyprus, integrating scientific approaches and research advances across disciplines such as archaeology, materials science, art history, and ethnography.

While existing research has often concentrated on individual wares, styles, sites, or periods, this volume brings together a wide range of case studies that showcase the richness and diversity of Cypriot ceramic traditions, highlighting how localised investigations can inform broader discussion of technological practice, social meaning, and cultural interactions across time and space. Employing interdisciplinary and diachronic perspectives, it traces transformations in ceramic traditions of the island, from their earliest developments to their persistence into the modern era. It highlights not only shifts in production techniques and technological practices, but also the wider social meanings attached to pottery as an everyday medium and as a marker of identity, exchange, and interaction. The contributions combine synthetic overviews with detailed case studies that demonstrate innovative methodological frameworks and cutting-edge analytical techniques, while also engaging with broader interpretative and theoretical paradigms. Organised into four thematic sections - Theoretical and Methodological Advances; Bronze Age to Geometric Periods; Archaic to Roman Periods; Late Antiquity to Modern Periods - the book covers an exceptional chronological span. Topics explored include craft specialisation and technological innovations, resource exploitation and manufacturing processes, production strategies and consumption patterns, as well as the role of ceramics in connectivity networks, long-distance trade, and socio-cultural interactions both within and beyond Cyprus.

Addressing current challenges and limitations in Cypriot ceramic studies and proposing new avenues for future research, this book offers a multidisciplinary, comprehensive, and diachronic synthesis of the latest scholarship on Cypriot ceramics within its broader cultural context and is therefore a crucial resource for scholars and students alike

Self and Assemblage in Autoethnography offers a bold methodological provocation within qualitative research methods, advancing current debates in autoethnography by troubling the 'auto' and arguing that the field must confront the sovereign, Enlightenment-derived self that it has inherited. Drawing on assemblage theory, feminist new materialism, and critical tourism geographies, the book proposes deep entanglements with place, memory, and materiality.
Set in the landscapes of Australia and Scotland, and grounded in solo hiking and wild camping, the book also contributes to cultural and tourism geographies by examining how settler narratives, contested land, and the politics of memory shape who gets to go outside, and how. Blending narrative, theory, and critique, it explores what it means to walk, remember, and write from within complex social and ecological assemblages, and what this all means for the practice and politics of autoethnographic research and writing.

In this exquisitely crafted ethnography, Charline Kopf examines how and why railway workers in Senegal and Mali care for a suspended railway. Trains rarely run, yet men continue to attend to the everyday practices that keep the railway alive as a social and political space: they sweep floors, repair wagons, and gather to await the arrival of a new train that might never come. The railway has become an afterplace-a worksite in a post-labor context where infrastructure, no longer fully functional, still organizes memory, politics, and collective life. Generations meet here with different temporal horizons: older workers recall futures once promised through stable employment and national ambition, while younger, precariously employed men confront futures never secured. These tensions raise urgent questions about what remains when work recedes along with the possibilities it once carried. Tracing connections and fractures across Senegal and Mali, the book offers a new lens on the afterlives of transnational infrastructure in Africa and beyond.

This volume engages with disability heritage as a participatory, political, relational, and unfinished practice, linking the preservation of the past to lived experience in the present as well as imagined futures. Contributors examine how disability reshapes what counts as heritage, who it is for, and how it is made, and demonstrate ways to transform institutional as well as community-based approaches.

Contributors from Ireland, Germany, Australia, the UK, Sweden, Japan, Poland, Romania, Belgium, Italy, and The Netherlands apply concepts from critical disability studies and disability history to explore participatory, activist, and decolonial practices that challenge ableist structures. Written in an accessible way and drawing on case studies from performance, museums, (digital) archives, landscapes, and architecture, chapters demonstrate how disability is embedded in histories yet rarely acknowledged as a constituting force within them. Positioning disability as integral to heritage-making, the authors show how disability actively shapes archival research, heritage practices, and what can be remembered. Topics include integrating disability perspectives in heritage education, redesigning recruitment and career trajectories, the challenges and benefits of working both within and outside of established institutions, strategies for reinterpreting objects including embodied and sensory methods, and collecting intangible heritage.

The book is aimed at scholars and students in heritage, museum, archival, disability, cultural and historical studies, as well as practitioners, policymakers, and activists. It offers conceptual tools and grounded examples for engaging disability heritage not as a bounded and stable field or object, but as a relational practice that demands attentiveness to friction and difference.

This volume reorients visual anthropology beyond its historically Western vantage point through a collaborative, cross-cultural editorship. With contributions from anthropologists with cultural connections to the Indian subcontinent, it presents contemporary ethnographic practice as it unfolds across both analogue and digital media. It examines representation across multiple forms - from film and photography to social media ethnography, immersive virtual and augmented realities, and the emerging horizons of artificial intelligence.

Visual anthropology itself emerged from the intellectual ferment of the late 1960s, shaped by debates across literature, visual arts, sociology, psychology, and philosophy, alongside the political reckoning of the postcolonial
moment. For students of social and cultural anthropology, its catalytic technologies were the hand-held camera and synchronised sound - tools that allowed ethnography to move, speak, and circulate beyond the written text. Yet the field has always extended beyond cinema. Visual and digital anthropology encompasses photography, art, ritual performance, and material culture, recognising that visual knowledge emerges through diverse representational practices. In the age of the Internet, social media, and mobile devices, images circulate globally and instantly, transforming how ethnographers document, interpret, and share social worlds.

The book will be valuable to students, researchers, and teachers of visual anthropology and sociology, as well as to visual ethnographers, documentary filmmakers, and scholars in museum studies. It will also serve as an important resource for practitioners working with artificial intelligence, curators, filmmakers, and general readers interested in photography, video creation, and the expanding visual worlds of the twenty-first century.

Looking beyond current sanitation models in the US to develop new ways of managing human waste as a resource.

What happens when you flush the toilet? Where does the waste go?

In this engagingly written ethnographic study, Nick Kawa follows the trail of human bodily excrement as it travels through multiple sites in the American Midwest. In addition to documenting the treatment and transformation of sanitation waste, this book chronicles the growing movement to promote sewage sludge, or "biosolids," for fertilizing industrial farm fields, urban gardens, city parks, and ecological restoration sites-a complex endeavor that has fueled debates about potential harms to human and environmental health.

After the Flush presents the modern sanitation system through the eyes of insider experts, sharing insights from wastewater treatment operators and environmental scientists but also activists who advocate for alternative models to the industrial system. These include low-cost forms of ecological sanitation, illustrated through the author's own experiments with a compost toilet. Reframing human bodily waste as simply part of the human biome, this book offers radical possibilities for managing the human relationship to self, body, community, and ecology.

This book presents a lecture on the history of ancient Chinese architecture, which was offered by Chinese archaeologist Bai SU for students of archaeology at Peking University. It first introduces readers to the site of the late Yangshao Culture ca. 5,000 years ago, the earliest ground architecture in China. Then, it discusses the representative architecture of each era, from the Shang and Zhou Dynasties to the Ming and Qing Dynasties, including its essential characteristics and characteristics of the times, and clarifies the development of Chinese architecture. Approaching ancient Chinese architecture from an innovative perspective and providing a research method for assessing the development of Chinese archaeology from an architectural standpoint, the book includes a wealth of photographs and hand-drawn drawings accumulated over SU's years of research, offering an invaluable resource for readers seeking to understand the characteristics of ancient Chinese architecture.

The commodification and marketing of nationalism in a populist-governed country

Most accounts of populist politics revolve around political parties, electoral politics, eroding democratic institutions, media, and political propaganda. In Marketing Radicalism, Virag Molnar examines instead populism as a cultural process-one that reshapes cultural identities and meanings of cultural citizenship. Looking at such domains as fashion, publishing, and tourism, Molnar shows how identity politics, culture wars, culture industries, consumer markets, and popular culture contribute to the rise of far-right populism. The marketing of nationalism creates powerful narratives that reimagine the nation as a populist fantasyland, and these narratives are used by far-right governments in their efforts to topple liberal norms.

Hungary under Viktor Orban has provided an ideological blueprint for far-right populist politicians-and a cautionary tale for liberal democracies. Using Hungary's commodification of nationalism as a case study, Molnar explores the ways that cultural producers relied on consumer markets to promote traditionalism through folk-revivalist fashion; weaponized the public shredding of a children's book to disenfranchise LGBTQ+ communities; used tourism to neighboring Transylvania to envision a "Greater Hungary" that spilled over national borders; and packaged a mythic Orientalism in the form of horseback archery. Molnar's account offers important lessons on the mainstreaming of right-wing popular culture, the importance of markets in circulating and amplifying far-right identity narratives, and the political mobilization of cultural traditions for geopolitical reorientation.

Offers an accessible new way to think critically and transparently about how researchers, especially those doing ethnographic work, can balance their personal commitments with long-term research.

For ethnographers, spending a year or longer in a faraway place conducting fieldwork is becoming increasingly untenable due to competing life responsibilities and rising workloads, as well as disability, precarity, and geopolitical factors. If ethnographic methods are to remain relevant and viable for a diverse group of people in anthropology and beyond, Goekce Guenel and Chika Watanabe argue, we need to examine how our personal and professional lives intersect and shape one another.

In Patchwork Ethnography, Guenel and Watanabe take seriously the conditions that render long-term fieldwork difficult for so many. Without being prescriptive, the book offers concrete ways for scholars to unpack the competing commitments in their lives and make those challenges feel more manageable. Blending theoretical analysis with practical exercises, the authors guide readers to rethink the relationship between their personal lives and their scholarship. Ultimately, they point to ways for transforming limitations into catalysts for fresh insights. By highlighting how shifting labor and living conditions profoundly alter knowledge production, Patchwork Ethnography calls for a paradigm shift in ethnographic research.

How material conditions and social contradictions remake indigeneity

Indigenous studies struggles to analyze class, yet class reshapes the cultural, political, and economic terrain of indigeneity. In Red Dirt, Ikaika Ramones goes beyond the usual conceptual frameworks of resistance and domination to explore the political-economic basis for Native Hawaiian social reproduction and revitalization. By doing so, he casts indigeneity as a contested process rather than reification, encompassing both grassroots revitalization efforts and large, multibillion-dollar Native organizations.

Ramones offers a class analysis that shifts the theorization of indigeneity away from the metaphysical and idealist methodologies of the academy to trace social contradictions and material conditions instead. He counters the notion of Native culture as a coherent given, disentangling different strains of "Native Hawaiian culture"-an elite strain that depoliticizes and buttresses the status quo and grassroots strains that politicize and produce critical consciousness. Amid movements of cultural revitalization, he shows how histories of racialized eugenics rearticulate into a form of "class assimilation." By examining organizations that support, shape, and constrain Native Hawaiians, Ramones shows how actors appropriate, protect, or rearticulate economic and social relations within or against capitalism. While mired in capitalism and settler colonialism, he argues, Indigenous actors walk shifting lines of subversion and complicity.

A fascinating, behind-the-scenes look at non-religious funerals in contemporary London

An Honest Death is an intimate and moving ethnographic account of funerals for people who don't believe in God or an afterlife. Focusing on secular funeral celebrants of the British Humanist Association (now called Humanists UK), the book examines how their ritual work is geared toward helping realize a secular world. There is a strong ethical commitment behind this effort, which is to face death with honesty based on the belief that this life is all we have. For the humanist celebrants and those they serve, this is what allows for a life with meaning and purpose.

Written in a vivid style, the book centers on the lives and the funerals of particular people, from a three-year-old child to a man in his nineties. Anthropologist Matthew Engelke, who trained as a humanist celebrant as part of his research, describes how these officiants try to craft "sincere" funerals, avoiding language and music that might suggest that the person who died had any religious beliefs. The book also captures the highs and lows for humanist celebrants of working in the funeral business-a business that is, for many of them, a kind of vocational calling.

Above all, An Honest Death draws out the tensions in secular humanist thought and practice between reason and the body, rationalism and materialism. Nothing matters more to the humanists than "daring to know" in the Enlightenment tradition, but nothing is so certainly known as the fact that we are finite and embodied creatures.

Controlling Processes offers a penetrating anthropological analysis of how power operates through cultural mechanisms in agrarian and modern industrial societies.

Drawing on decades of research and teaching, Laura Nader explores:

The multiple meanings and ideological frameworks embedded in dominant conceptions of science, technology, progress, energy, and the environment.
A compelling critique of groupthink, illuminated through George Orwell's 1984 and Aldous Huxley's Brave New World, revealing how consensus can mask coercion.
The systemic oppression of women through body politics and the global diffusion of patriarchal norms.
Cultural relativism and the politics of representation, with incisive discussions of Orientalism, Islam, and the West's positional superiority.
A model of critical pedagogy inspired by Paulo Freire, exemplified in Nader's influential University of California, Berkeley course, Anthropology 139: Controlling Processes, whose syllabus is included as a practical guide.
Strategies for recognizing and resisting the subtle, often invisible, controlling processes embedded in education and public discourse.

This volume is essential reading for scholars of anthropology, sociology, political science, and education seeking to understand the cultural dimensions of power and the possibilities for emancipatory critique.

Positioned at the intersection of indigenous knowledge systems and spatial practice, this volume explores how ritualised, place-based epistemologies can reframe design and planning responses to global ecological crises. Departing from reductive Cartesian abstractions, it interrogates the systemic erasure of sacred space and advances a generative turn toward relational ontologies and decolonial spatial imaginaries. Landscapes are approached not as static heritage artefacts, but as living, agentive systems that co-produce meaning, identity, and ethical responsibility. Drawing on global case studies and innovative methodological approaches, including VOICE, Spiritual Tectonics, and Afro-Cosmological Design, the contributions explore the temporal thickening of sacred sites, where ancestral continuities intersect with emergent technologies. By integrating traditional ecological knowledge with contemporary metrics of resilience and sustainability, the book outlines actionable pathways for spatial practitioners. It speaks to researchers and professionals across architecture, urban planning, religious studies, cultural geography, and the environmental humanities.

This edited book offers new perspectives on a problem that was once considered futuristic but has now become a daunting reality. The book takes a unique approach by considering the evolution of humans as both a biological and societal process, two intertwined aspects that cannot be separated. It will be of interest to a general audience, policymakers, as well as researchers and graduate students specializing in various branches of biology, medicine, sociology and philosophy.

This book reframes urban acupuncture- small, precisely targeted design interventions- as a catalyst for rebuilding place attachment and reinforcing social resilience in gentrifying historic neighborhoods by discovering a newly human-centered approach to heritage regeneration. This book bridges environmental psychology and tactical urbanism, introducing place attachment as the key metric of success. It pairs in-depth theory with hands-on case studies, showing how micro-interventions can restore identity, culture, and community agency.

Scope:

• Foundations of gentrification place attachment, and social resilience.
• Principles and methods of urban acupuncture in heritage settings.
• Rich case studies and cross-case analysis
• A practical framework and policy recommendations for architects, designers, planners and psychologists.

This book is of particular value to urban designers, architects, planners, psychologists, and heritage professionals who are seeking practical and innovative strategies. It is also suitable for graduate students and researchers in the fields of urban studies, architectural studies, and environmental psychology.

This book presents a critical analysis of the concept of food heritage through a dialogue between its academic definitions and the vaguer, more common-sense meaning of the term.

By addressing the notion of heritage through the question of food and eating practices, this book allows us to revisit the very meaning of this concept, now well established yet still interpreted through a wide variety of perspectives. In a mirror image, viewing the notion of heritage through the lens of food allows us to investigate an important dimension of our modern foodways. Beyond the conceptual discussion, the book analyses the concrete processes through which foods and food practices come to be defined, recognized, and mobilized as heritage, showing how these dynamics unfold in varied cultural and institutional contexts. Chapters draw on case studies from across the world-in Belgium, Catalonia, China, Brazil, Estonia, France, Japan, Korea, Morocco, Poland, Serbia, as well as across Africa and the Mediterranean region-and propose different temporalities while involving a range of actors. Among these actors, however, UNESCO occupies a particularly important place in this volume, due to the role it plays as a legitimizing body, supposed to officially consecrate certain elements as heritage. The practical cases reveal the complexity of the situations and provide detailed examples of specific issues and difficulties involved in thinking about the heritagization of food and assessing the practices related to it.

This volume will be of great interest to students and scholars from across food studies, heritage studies, cultural studies, tourism studies, and anthropology.

Throughout the professionalization of Egyptology in the nineteenth century, there were several debates that raged: the purpose of the pyramids, and who built them; the meaning of hieroglyphs; the styling of statues and artwork on tomb and temple walls; and the history of ancient Egypt, especially in its relation to Christendom. As hieroglyphs became readable through decipherment, and scholars gained more accurate understandings of the written record, they established testable theories about Egypt's ancient social, political, and economic past. This volume presents sources within these debates and demonstrates how ideas about the past changed with the understanding and uncovering of more evidence.
Of course, most of this investigation was being done in Britain, in the metropolitan center, and so the sources bear the mark of inexperience in the outside field site, scholars' ignorance about the peoples they study, and the colonial hierarchy present at the time.

Interrogating a rich array of archaeological, textual, and visual sources, Exploring Sacred Ink reveals how tattooing and sacredness are intertwined, from the ancient world to the present. This interdisciplinary volume highlights the diverse motivations for inscribing the sacred onto the body: as an attestation of the bearer's servitude to the divine; an affirmation of belonging to a faith community; an expression of deeply held (magico-)religious beliefs; or a sign of reverence towards holy places, people, languages, symbols, and texts. It further demonstrates that sacredness is not only made visible on the skin itself but can also encompass the spirituality attributed to the tattooing process or the spiritual perception of an otherwise secular tattoo. Spanning religious and secular frameworks and cultures of both the Old and New Worlds, this volume offers a compelling resource for readers engaged in the study of body modification and embodiment.

The OA version of this book will soon be available at https://www.taylorfrancis.com.

In the era of ubiquitous computing and the Internet of things, is it still possible to go, or be, offline? Can we still find a more embedded, autonomous, and attentive way of being, away from the constant distraction of our phones and screens? Or is it time to reconcile ourselves to a future, where every thought and action is mediated by an algorithm?You Can Never Go Offline Again is an autoethnographic search for an elsewhere to the Internet. It chronicles the author's weekend digital detoxes, travels to Internet blackout zones, efforts at mindful consumption, and daily struggles to reign in his online activities, concluding that today there is no longer a meaningful distinction between online and off. The two have merged into one intermediated reality. Integrating literary memoir with anthropology, media studies, and philosophy, it takes stock of our digitally-saturated moment and attempts to chart a path forward. Written in accessible prose and illustrated with evocative photography, You Can Never Go Offline Again is essential reading for students and researchers of digital culture and anyone struggling to carve out a space for the in-person and face-to-face at a time when online has already become the default mode of being.